Some years ago I criticized Michael Caplan's documentary ode to Nelson Algren as the cinematic equivalent of a pop tart. Now that I've had another look I see that I was very wrong.
David Stout, Professor of Composition Studies and Coordinator of the Initiative for Advanced Research in Technology and the Arts at the University of North Texas, shares how to utilize AI to generate extraordinary artistic outcomes.
These drawings move across centuries, from the Middle Ages to our blighted times in an unflinching rawness that gives no comfort. Nothing is omitted. You will find the sexual inscribed like watermarks of passion and anguish. The demonic appears in equal measure with the angelic. Most of all, not unlike cave drawings of prehistoric times, they are an existential record of a particular creature, Bellaart by name.
Robert McGrath, COO of the Cincinnati Symphony Orchestra, talks about their groundbreaking new collective bargaining agreement incorporating core DE&I best practices.
https://youtube.com/watch?v=LUMu1qisXoM&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent During the pandemic, unable to produce concerts, I found myself making six documentary films linked to my book Dvorak’s Prophecy. The
Julian Peters has done Poe, Rimbaud, Frost, Keats, Dylan Thomas, Wordsworth, Oscar Wilde, Villon, Yeats, Sassoon, and plenty of others — and they're all damn well done — so why not T.S. Eliot?
Laia Pujol-Rovira, Assistant Director of the Center for Innovation and Community Impact at the Colburn School, shares their four-stage process of serving young people from underserved communities.
