“To have one’s fortune told gratifies, after all, most of the superficial demands of egotism. There is no mystery about the eternal popularity of divination.”
Anthony Powell, The Acceptance World
Terry Teachout on the arts in New York City
“To have one’s fortune told gratifies, after all, most of the superficial demands of egotism. There is no mystery about the eternal popularity of divination.”
Anthony Powell, The Acceptance World
W.B. Yeats reads and talks about three of his poems on the BBC. These recordings were made in 1932, 1934, and 1937:
(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)
“Anyone can squander money, and anyone can hoard it. But the most difficult thing in the world is to know how to spend it.”
Emlyn Williams, The Corn Is Green
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Prior to the coming of the pandemic, I traveled all over America to see and review regional theater productions. Thanks to the theatrical webcasts that I started covering in March, though, I’ve been discovering first-rate companies of whose existence I was previously unaware. That’s one of the many reasons why smart theater companies will make streaming video an integral part of their plans for the post-COVID future—it’s an indispensable way to spread the word more widely about what they’re doing.
Dallas’ Undermain Theatre, the latest of these discoveries, was founded in 1984 and now performs in a 90-seat theater of its own. While it’s highly thought of in Texas, I only just found out by chance that Bruce DuBose, the company’s producing artistic director, is starring in a webcast version of “St. Nicholas,” one of Conor McPherson’s monologues about unhappy people who live too close to the edge that separates the real from the unreal. Written in 1997, it has since become one of Mr. McPherson’s most admired monologues, and what Undermain is doing with it is thrilling. Not only is Mr. DuBose an outstanding performer, but the production as a whole is identical in quality to the superlative work being done online by New York’s Irish Repertory Theatre.
The premise of “St. Nicholas” is funny going in: The principal character is a self-hating, booze-swilling Dublin drama critic in his late fifties who falls in with a group of vampires. As if that weren’t enough, Mr. McPherson’s critic is jealous of the people he reviews because he longs in vain to write his own plays: “I had no ideas for a story….I could only write about what was there already. I was a hack.” This is, needless to say, an over-familiar piece of abuse flung at critics by those who resent them—but Mr. McPherson, being not a hack but one of our very greatest playwrights, turns it into a wholly believable tale of a troubled soul who has lost his way in the dark….
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Read the whole thing here.The trailer for St. Nicholas:
André Previn and the Pittsburgh Symphony perform a suite from Bernard Herrmann’s score for Alfred Hitchcock’s Psycho at a 1979 concert:
(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)
“Light is the first of painters. There is no object so foul that intense light will not make it beautiful.”
Ralph Waldo Emerson, Nature
“There are two kinds of light—the glow that illumines, and the glare that obscures.”
James Thurber, Lanterns and Lances
Erle Stanley Gardner and George Sanders appear separately as mystery guests on What’s My Line? John Daly is the host and the panel consists of Jim Backus, Bennett Cerf, Arlene Francis and Dorothy Kilgallen. This episode was originally telecast live by CBS on September 15, 1957:
(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)
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