“You know, I’ve always figured the waiting is what they pay me for. The acting I do free.”
Edward G. Robinson (quoted in Charlton Heston, In the Arena)
Terry Teachout on the arts in New York City
“You know, I’ve always figured the waiting is what they pay me for. The acting I do free.”
Edward G. Robinson (quoted in Charlton Heston, In the Arena)
In this week’s Wall Street Journal “Sightings” column, I write about two important tributes to the Great American Play. Here’s an excerpt.
* * *
When Al Hirschfeld died in 2003, the obituary published by the New York Times, in which his pen-and-ink theatrical caricatures had run, bore the following headline: “Al Hirschfeld, 99, Dies; He Drew Broadway.” Even though he also drew movie and TV stars and pop celebrities of all kinds—the subjects of his 10,000-odd drawings, paintings and prints range from Jack Benny and Liberace to the cast of “Frasier”—it was Broadway with which Hirschfeld’s name was and is most closely linked. The vaulting, swooping energy of his caricatures, which embodied the personalities of his subjects without stooping to malice, was inimitable, and no one has been able to take his place.
Hirschfeld drew Broadway for so long that it is possible to put together a nearly unlimited number of subject-specific exhibitions of his work. The latest one, “‘It Goes So Fast’: ‘Our Town’ by Al Hirschfeld,” is an online show of 10 drawings assembled by the Al Hirschfeld Foundation and curated by Howard Sherman…. Mr. Sherman is also the author of the recently published Another Day’s Begun: Thornton Wilder’s ‘Our Town’ in the 21st Century (Methuen), an important book consisting of oral histories of 12 productions of the play that have opened since 2002 and prefaced by a richly detailed 34-page overview of the original Broadway production and the play’s subsequent history up to the turn of this century….* * *
Read the whole thing here.Go here to watch Al Hirschfeld draw Paul Newman as the Stage Manager in Our Town:
“A truism in the trade is that, maybe this side of King Lear, comedy is the hardest genre to do well, with the caveat that a pretty good Lear is still watchable. A pretty good comedy is not.”
Charlton Heston, In the Arena
Jack Teagarden sings and plays “Basin Street Blues” on Timex All Star Jazz Show (No. 2), originally telecast live by NBC on April 30, 1958. The band also includes Ruby Braff on trumpet, Tony Parenti on clarinet, Marty Napoleon on piano, Chubby Jackson on drums, and Cozy Cole on drums, and is introduced by John Cameron Swayze:
(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)
“People who have to be encouraged to act have no business doing it.”
Alvina Krause (quoted in Charlton Heston, In the Arena)
From 2013:
Read the whole thing here.Part of the problem, I suspect, is that theater is a social art, and it’s been quite some time since I last saw three shows in a row without somebody I know well sitting next to me. For me, no small part of the fun of seeing a play is talking about it. I didn’t get to do that this time around, or to share my excellent meals with a companion. Mrs. T says I’m simply not cut out to be a singleton, and now that I’m not one anymore, I guess she’s right….
“I had found out that money was like a sixth sense without which you could not make the most of the other five.”
Somerset Maugham, The Summing Up
Maria Callas is interviewed by Edward R. Murrow on Person to Person. This episode was originally telecast live by CBS on January 24, 1958:
(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)
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