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Carl Goldman, a 67-year-old California radio-station owner,was infected with COVID-19 on the Diamond Princess cruise ship. Today he is in quarantine in a facility in Omaha run by the Centers for Disease Control and Prevention. He recently wrote an op-ed piece for the Washington Post called “I Have the Coronavirus. So Far, It Isn’t That Bad” in which he remarked that his quarantine location, which was last used for the 2014 Ebola outbreak, “looked like something out of ‘The Andromeda Strain,’” Robert Wise’s high-tech screen version of Michael Crichton’s 1969 novel about a mysterious illness that turns out to have been caused by an extraterrestrial virus.
One of the things about Mr. Goldman’s piece that struck me most forcibly was that he resorted so naturally to a movie-based metaphor to describe his experience. If you’re a baby boomer, you’re likely to do that fairly often, since the boomers all grew up watching the same “water-cooler movies.” Even the CDC does it: Thomas R. Frieden, director of the CDC from 2009 to 2017, wrote in the Atlantic that “Contagion,” Steven Soderbergh’s 2011 film about a broadly similar pandemic, was “a fair and accurate portrayal of how the public health community might respond to a disease outbreak like the fictional one in the film.”
That was quite an endorsement, especially given the fact that countless such movies, most of them eminently forgettable and deservedly forgotten, have been ground out by Hollywood. (“The Killer That Stalked New York,” anyone?) A few, however, have been rather more noteworthy…
Moreover, one such film, Elia Kazan’s “Panic in the Streets” (1950), is not merely a nail-nibbling thriller but Kazan’s first indisputably major film, a now-classic piece of noir-style urban cinematic storytelling….
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Read the whole thing here.The original theatrical trailer for Panic in the Streets: