Archives for January 2020

“I have the most ill-regulated memory. It does those things which it ought not to do and leaves undone the things it ought to have done.”

Dorothy L. Sayers, Gaudy Night

“A happy childhood can’t be cured. Mine’ll hang around my neck like a rainbow, that’s all, instead of a noose.”

Hortense Calisher, Queenie

Imogene Coca and James Starbuck perform their comedy version of the pas de deux from Tchaikovsky’s The Sleeping Beauty on TV in 1951. This performance was originally telecast live as part of an episode of Your Show of Shows that aired on NBC on September 8, 1951:

(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)

“Not the power to remember, but its very opposite, the power to forget, is a necessary condition for our existence.”

Sholem Asch, The Nazarene

As I watched Dolemite Is My Name on Netflix the other day, I realized that I never anticipated living to see the end of movies as a public and collective viewing experience. Yet it’s well on the way to happening: Dolemite, like The Highwaymen and The Irishman, was made for and released on streaming video, as are a fast-growing proportion of non-franchise movies aimed at adult audiences. Indeed, a full year has gone by since I last saw a new feature film, They Shall Not Grow Old, in a theater.

This led me to ask: what other things did I fail to envision taking place in my lifetime? Among the biggest ones was the fall of the Berlin Wall, of which I now own a small piece embedded in Lucite. I use it as a paperweight, and every time I look at it, I’m reminded of the limits of human imagination.

Here are a few others, some public and others deeply personal:

• The mainstreaming of “foreign food” in American culture. When I was growing up in Smalltown, U.S.A., you ordered steak, fish, or chicken in restaurants. The first time I ate Italian food (not counting pizza and spaghetti) in a restaurant, it struck me as unimaginably exotic. Today it’s a routine part of my diet, just as few months go by when I don’t have occasion to eat Chinese, Japanese, Thai, or Mexican food, to name only a handful of culinary possibilities. Yes, I live in New York City, but nowadays such cuisines are readily available from coast to coast.

• The slow-motion demise of Sears, Roebuck. Most of the clothes I wore during the first twenty years of my life were purchased at the Sears store in Cape Girardeau, Missouri. Now it belongs to the ages, and the once-powerful, now-bankrupt corporation of which it was part cannot be far behind.

• The resurgence of open anti-Semitism and Holocaust denial throughout the West. I don’t think I’ve ever been particularly naïve about anti-Semitism, but when I read last year that “[o]ne in 20 British adults do not believe the Holocaust happened, and 8% say that the scale of the genocide has been exaggerated,” my heart sank. As a devout philo-Semite who proudly declares, as did Louis Armstrong, that “I will love the Jewish people, all of my life,” I find these numbers to be at once beyond belief and—alas—all too horrifically believable.

• Same-sex marriage. Twenty-seven years ago, my friend Bruce Bawer published a book in which he argued that “the cornerstone issue of the gay-rights movement should be the legal recognition of gay unions.” Scarcely anyone back then thought that the Supreme Court would someday declare gay marriage to be a constitutional right, much less that a solid majority of Americans would soon come to support that decision—and yet they do.

• Smartphones. The cartoons and comic strips of my childhood were full of technological prophecies that have yet to come to pass—but not so Dick Tracy’s celebrated “two-way wrist radio,” which has long since been outstripped by reality. For better or worse? I increasingly think the latter, but it doesn’t matter: we are all plugged in now.

• My sixtieth birthday. I’d imagined turning fifty—pretty much everyone does, unless they have reason not to—but the arrival of my sixtieth birthday, by contrast, came as something of a surprise. When it finally rolled around, I celebrated by preparing to make my professional debut as a stage director, which is a good way to obscure the otherwise painfully obvious fact that you’ll never see fifty again.

• The death of my parents. Even though I knew better deep down inside, I still thought they’d live forever, and when I finally lost them both, I knew my world would never be the same. Nor has it been. Not a day goes by that my brother and I don’t remember them with infinite tenderness.

Here’s something I wrote six years ago:

I wonder if either of them guessed how often I’d think about them after they were gone. Not surprisingly, I did so when my first play opened in New York, knowing that the occasion would have meant the world to them. But it’s the routine occasions, not the special ones, that mean the most to me. I think of my mother, for instance, whenever I take a cab down to the theater district to see a show, that being the time when I usually called her–as I did most days–to chat about whatever might be on our minds. I think of my father, by contrast, whenever I happen to see Perry Mason on TV, for he loved nothing more than to guess who did it midway through each episode, if not sooner. (He usually got it right, too.)

I still do.

From 2005:

I went to my framer yesterday afternoon and picked up the presidential commission for my appointment to the National Council on the Arts. It is a splendidly old-fashioned document, about twice the size of a college diploma, printed in copperplate script on thick cream paper by the Bureau of Engraving and Printing. It is, of course, a fill-in-the-blank form, starting with a space on top for the current president’s name, with the blanks filled in by a calligrapher….

Read the whole thing here.

“Lately I have had the feeling that I have my whole life to consider and enjoy, especially the periods that were especially nice and that when I was younger I might have regretted because they didn’t go on longer. Now I think, Wasn’t that nice, Wasn’t I lucky.”

William Maxwell, letter to Eudora Welty, Dec. 19, 1993 (courtesy of Anecdotal Evidence)