November 7, 2019 | About Last Night

Titus Techera, who hosts a podcast for the American Cinema Foundation on which he and his guests discuss important films of the past and present, invited me back for the latest in a series of conversations about film noir and “noir-adjacent” films.

In the latest episode, we discuss Curtis Hanson’s L.A. Confidential, written by Hanson and Brian Helgeland, scored by Jerry Goldsmith, and starring Russell Crowe, Guy Pearce, Kevin Spacey, Kim Basinger, and James Cromwell. Our hour-long conversation is now available on line.

Here’s Titus’ summary of our conversation:

We have a reversal of the noir—the femme fatale helps redeem rather than damn protagonists who were corrupt before they came to make a serious moral decision. Curtis Hanson’s movie makes for a revision of heroism away from noir’s tragic destiny toward American drama, where happy ends are possible, in limited ways, for some of the people who deserve them.

To listen to or download this episode, go here.

Various forms of the records-that-changed-my-life meme have been making the rounds lately, so I came up with my own version, which I call “The Twenty-Five Record Albums That Changed My Life.” Throughout the coming month, I’ll write about one of these albums each weekday in the rough order in which I first heard them.

18. The Rolling Stones, Get Your Ya-Ya’s Out! The Rolling Stones in Concert (London)

It happens that I’ve never bought a copy of Rolling Stone. It wasn’t sold at any of the newsstands in or near Smalltown, U.S.A., when I was growing up. I did, however, profit from its exceptionally well-written record reviews, at least the ones that made it into The Rolling Stone Record Review, a mass-market paperback that came out in 1971. I bought The Rolling Stone Record Review not long after it was published and read it until the glue dried up and the pages fell out, something that had never before happened to me. Not at all surprisingly, it exerted a powerful and continuing influence on me for many years thereafter.

As I wrote in this space back in 2015:

Some of the reviews reprinted therein were so strikingly written that I can still quote them…It was my Bible of hipness, a vade mecum of all that was most serious about rock, and it was a long time before I dared to break away from its seemingly apodictic judgments and start trusting my own ears.

The first one that caused me to go right out and buy a record was Lester Bangs’ review of Get Your Ya-Ya’s Out, the Rolling Stones’ second live album, which came out in 1970 and which Bangs described in The Rolling Stone Record Review as “an unfettered delight….Where most live efforts seem almost embarrassing in their posturings and excesses, and even The Who Live at Leeds held tinges of the Art Statement, Ya-Ya’s at its best just rocks and socks you right out of your chair. You can not only love it for what it is, you can like it for what it isn’t.”

I needed that kind of push, because the Rolling Stones, huge though they were, had somehow managed to sneak past me. I didn’t see them on The Ed Sullivan Show, and I can’t remember hearing any of their early hit singles, not even “Honky Tonk Women,” played on the radio in Smalltown, U.S.A.. Nor had I heard a rock album with that kind of savage punch. Individual tracks, yes—the White Album contains some pulverizingly hard rockers, and the single version of “Revolution” is as hot as anything on Ya-Ya’s—but at that point I didn’t really think of rock in terms of “looseness, energy and general right-on shagginess,” as Lester Bangs put it.

Ya-Ya’s, “Midnight Rambler” in particular, changed my tune. It was right around the time that I bought that explosive album that my father generously bought me a Fender bass and a Bassman 10 amplifier. Whenever the house was empty, I plugged it in, cranked the volume up to eleven and played along with the Stones. On one never-to-be-forgotten occasion, I played so loud that the bathroom cabinet popped open and its contents fell into the sink.

I now prefer other kinds of rock, including the Stones’ studio albums from the same period and (sorry, Lester) Live at Leeds. But I still think that Ya-Ya’s is a pretty damn wonderful record, raunchy and fierce to a fault, and I will always be indebted to Lester Bangs and The Rolling Stone Record Review for inspiring me to buy it.

(To be continued)

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From Get Your Ya-Ya’s Out, the Rolling Stones play “Midnight Rambler” at Madison Square Garden in 1969. The band consists of Mick Jagger on lead vocals and harmonica, Keith Richards and Mick Taylor on guitar, Bill Wyman on bass, and Charlie Watts on drums: