Last week Paul Moravec and I spent four days preparing a workshop performance of the first six scenes of The Letter, our Somerset Maugham opera-in-progress, at a midtown rehearsal studio. On Wednesday morning we recorded all six scenes at the New York headquarters of the Santa Fe Opera, after which we performed them for a small invited audience of opera and theater professionals. Then, on Thursday evening, we gave a second performance, this time at an Upper East Side cocktail party thrown on behalf of Santa Fe Opera by two longtime friends of the company who live in the biggest townhouse I’ve ever seen. (It looks like the set of Holiday, only in color.) We presented twenty minutes’ worth of excerpts from The Letter to an audience of a hundred-odd well-heeled opera buffs, augmented by a sprinkling of singers and other music-business types…
Read the whole thing here.