Terry Teachout on the arts in New York City
From 2008:
I never saw Paul Scofield on stage. Few Americans did: he performed in this country only once, in the 1961 Broadway production of Robert Bolt’s A Man for All Seasons. So his death last week failed to make much of an impression on me. On the other hand, I never saw John Gielgud, either, yet I felt a real sense of loss when he died. What accounts for the difference?…
Read the whole thing here.
“It occurs to me that writers don’t change much from the time they are thirty or thereabouts until they are laid away—permanently, I trust. As they grow older, they are apt to perform at somewhat greater length, age being garrulous, and their prose is perhaps a little more ornate, conceivably because they have so much time for the superfluous decoration on their hands; but the essence remains the same. An author is either competent or horrible in the beginning, and he stays that way to the end of his days, unless certain pressures force him into other and shadier occupations, like alcoholism or television.”
Wolcott Gibbs, More in Sorrow (courtesy of Thomas Vinciguerra)