Anyone who writes a serious book with the expectation of making a lot of money and/or becoming famous is a fool. If you can’t afford to write a book in your spare time for its own sake, you’re in the wrong business….
Read the whole thing here.
Terry Teachout on the arts in New York City
Anyone who writes a serious book with the expectation of making a lot of money and/or becoming famous is a fool. If you can’t afford to write a book in your spare time for its own sake, you’re in the wrong business….
Read the whole thing here.
“A flawed book gives no one license to flog it in print. If there are mistakes, why not sound regretful when pointing them out instead of smug? If the book doesn’t measure up to expectations, why not consider the author’s own expectations with regard to it? While no one wants shoddy work to escape detection, a critic must persuade not only the impartial reader but also the biased author—as well as his biased editor and biased family—that the response is just.”
Arthur Krystal, “Should Writers Reply to Reviewers?” (Chronicle of Higher Education, March 18, 2012)
An ArtsJournal Blog