Archives for October 2013

Yes, I still have another life! As I mentioned in this space in August, Daedalus, the journal of the American Academy of Arts and Sciences, will be publishing an excerpt from Satchmo at the Waldorf in its fall issue, which is devoted to the subject of American music. The issue, guest-edited by Gerald Early, Patrick Burke, and Mina Yang, is now out, and I’m happy to say that it’s full of good things, most particularly an essay by John H. McWhorter that delves into the all-but-unknown history of Early to Bed, the now-forgotten 1943 Broadway musical for which none other than Fats Waller wrote the score.
The publication of “Satchmo’s Shadow,” the excerpt from Satchmo at the Waldorf, marks the first time that any part of my first play has appeared in print, and I’m honored that no less prestigious a journal than Daedalus thought it fit to print.
Alas, you can’t read Daedalus for free on line, but you can download individual articles from the fall issue by going here, or purchase a Kindle edition by going here.

I’ll be talking about Duke: A Life of Duke Ellington today at eleven a.m. on NPR’s On Point. The host is Tom Ashbrook. To listen, go here.

From 2009:

I hasten to point out that I no longer own any long-playing records or cassettes, and that I spend more time listening to music on my MacBook and iPod than on my CD player. No doubt the time will also come when I spend more time reading books on a Kindle, or something like it, than reading the handsomely bound volumes shelved in my living room. Not for me the self-conscious posturing of those curmudgeonly poseurs who wail Change and decay in all around I see! at every opportunity. Nor would I surprised if my next book, whatever it happens to be and whenever it happens to come out, is published solely in electronic form–yet I can’t imagine that the thrill I get from downloading the first “copy” will be half so intense as the one I got last week when I held the first finished copy of Pops in my hands….

Read the whole thing here.

Duke Ellington plays “Bourbon Street Jingling Jollies,” a movement from New Orleans Suite:

“The foolishest book is a kind of leaky boat on a sea of wisdom; some of the wisdom will get in anyhow.”
Oliver Wendell Holmes, Sr., The Poet at the Breakfast Table

Parade, the Sunday newspaper supplement that I’ve been reading since I was a little boy, ran a feature this weekend called “3 Must-Reads for Fall” in which it listed Duke: A Life of Duke Ellington alongside Wally Lamb’s We Are Water and Daniel Woodrell’s The Maid’s Version:

Terry Teachout, author of an acclaimed Louis Armstrong bio, explores the life of Duke Ellington, the visionary artist, charismatic ladies’ man, and African-American trailblazer who became the 20th century’s most influential jazz composer.

I wish my mother, who was a devout reader of Parade, had lived to see that.
In addition to the Parade piece, two important newspaper reviews appeared over the weekend. Bill Desowitz called Duke “thorough and fascinating” in USA Today, while Ted Gioia, the noted jazz critic and scholar, wrote about it in greater detail for the Dallas News:

Teachout probes deeply into Ellington’s offstage associations. Affairs and flings long hidden from view are laid out for our inspection, as well as Ellington’s quarrels and feuds. His complex, often unconventional relationship with his family is also presented in all its quirkiness. Where other biographers have held back, often due to personal loyalty to Ellington, Teachout digs in all the deeper….Ellington was a man who worked hard over decades to present a sanitized, polished front to the public. Even his autobiography, Music Is My Mistress, stands out for how little it reveals about the author. Teachout tears through this facade and offers the most penetrating, bluntly honest account to date of Ellington’s life.

Finally, the Robson Press just announced that the British edition of Duke will be published on November 4. It will have a slightly different title–Duke: The Life of Duke Ellington–and a newly designed dust jacket. Here’s what it looks like:

As you can see, the portrait of Ellington that Gotham Books used for the front cover of the American edition has been reproduced on the back cover of the British edition. (The interior design of both books is identical.)
All in all, I’d say we’re off to a pretty good start.
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In case you missed the original announcement, I’ll be chatting about Duke with jazz blogger Marc Myers at the Upper East Side Barnes & Noble tonight at seven p.m. For more information, go here.

Maria Popova of Brain Pickings calls Duke: A Life of Duke Ellington “an enthralling read from cover to cover”:

This is a masterwork of dimensional insight into an icon who sought to flatten and flatter himself as much as possible and to shroud his exceptional artistry in exceptional artifice, a man woven of paradoxes, who, despite his chronic failings of private self-control, exerted his every faculty on controlling his public image. And yet, somehow, Teachout manages to peel away these protective layers and expose the flawed human being beneath them by elevating rather than diminishing Ellington’s humanity, enriching rather than discrediting his legacy.

Wow!
Read the whole thing here.

Duke Ellington, John Lamb, and Sam Woodyard play for Joan Miró at the Cote d’Azur in 1966:

(This is the latest in a series of arts-related videos that appear in this space each Monday and Wednesday.)