“This evening heard Carmen on the radio, and reflected how hard it was to vamp a man while singing at the top of one’s voice. That is the operatic problem; the singer must keep up a head of steam while trying to appear secretive, or seductive, or consumptive. Some ingenious composer should write an opera about a group of people who were condemned by a cruel god to scream all the time; it would be an instantaneous success, and a triumph of verisimilitude.”
Robertson Davies, The Diary of Samuel Marchbanks (courtesy of Paul Moravec)
Terry Teachout on the arts in New York City
An ArtsJournal Blog