“The Vienna Philharmonic recently issued a report by a group of independent historians in which the orchestra officially acknowledged for the first time the closeness of its relationship to the Third Reich. Not only had half its players become members of the Nazi Party by 1942, but all 13 of its Jewish players had been fired four years earlier and five of them later died in the camps. A few weeks later, Der Spiegel published a 6,000-word essay called ‘Wagner’s Dark Shadow: Can We Separate the Man from His Works?’ in which Dirk Kurbjuweit dealt no less honestly with the continuing inability of many German music lovers to grapple with the fact that Richard Wagner was a virulent anti-Semite whose writings directly influenced Adolf Hitler…”