“The one-person play is now so familiar a genre for theatergoers that many would be surprised to learn it is among the youngest of all theatrical forms–little more than a half-century old. Because such shows are well liked by audiences and cost comparatively little to mount, many regional theater companies contrive to balance their books by putting on a new one every season. One (perhaps solipsistic) indication of the genre’s appeal is that my first play, a one-man show about Louis Armstrong, will be produced this season by two different New England theater companies. It is unlikely that either troupe would have agreed to collaborate on a production of a more ambitious script by a rookie…”