“The music started off at Bach’s typical quick trot, a pace which, being uniform and neither fast nor slow, the pace of the mind rather than of the emotions, left Eustace respectful but unmoved. This was a case for understanding, not feeling, and he did not undestand.”
L.P. Hartley, Eustace and Hilda
Terry Teachout on the arts in New York City
An ArtsJournal Blog