Archives for 2010

“‘We find the vanishing vicar of Lovers’ Leap!’ ‘Sally Smith is a tea lady in a Blackpool engineering works, but it was the way she filled those C-cups which got our cameraman all stirred up!’ It’s crap. And it’s written by grown men earning maybe ten thousand a year. If I was a printer, I’d look at some of the stuff I’m given to print, and I’d ask myself what is supposed to be so special about the people who write it.”
Tom Stoppard, Night and Day

Here’s my list of recommended Broadway, off-Broadway, and out-of-town shows, updated weekly. In all cases, I gave these shows favorable reviews (if sometimes qualifiedly so) in The Wall Street Journal when they opened. For more information, click on the title.

Warning: Broadway shows marked with an asterisk were sold out, or nearly so, last week.

BROADWAY:

• La Cage aux Folles (musical, PG-13, adult subject matter, reviewed here)

• Fela! (musical, PG-13, adult subject matter, closes Jan. 2, reviewed here)

• Million Dollar Quartet (jukebox musical, G, reviewed here)

• The Pitmen Painters (serious comedy, G, too demanding for children, closes Dec. 12, reviewed here)

OFF BROADWAY:

• Alfred Hitchcock’s The 39 Steps (comedy, G, suitable for bright children, original Broadway production reviewed here)

• Avenue Q (musical, R, adult subject matter and one show-stopping scene of puppet-on-puppet sex, reviewed here)

• The Fantasticks (musical, G, suitable for children capable of enjoying a love story, reviewed here)

• The Little Foxes (drama, G, unsuitable for children, brilliantly acted but tritely staged, closes Oct. 31, reviewed here)

CLOSING SOON IN ASHLAND, OREGON:

• Hamlet (Shakespeare, PG-13, closes Oct. 30, reviewed here)

• Ruined (drama, PG-13/R, violence and adult subject matter, closes Oct. 31, reviewed here)

• She Loves Me (musical, G, suitable for children capable of enjoying a love story, closes Oct. 30, reviewed here)

CLOSING SOON IN CHICAGO:

• Night and Day (serious comedy, PG-13, closes Oct. 31, reviewed here)

CLOSING NEXT WEEK IN LOS ANGELES:

• The Glass Menagerie (drama, G, West Coast remounting of original New Haven/off-Broadway production, too dark for children, closes Oct. 17, off-Broadway run reviewed here)

• Ruined (drama, PG-13/R, West Coast remounting of original Chicago/off-Broadway production, violence and adult subject matter, closes Oct. 17, off-Broadway run reviewed here)

CLOSING SUNDAY IN CHICAGO:

• Frost/Nixon (drama, PG-13, reviewed here)

“I never got used to the way the house Trots fell into the jargon back in Grimsby–I mean, on any other subject, like the death of the novel, or the sex life of the editor’s secretary, they spoke ordinary English, but as soon as they started trying to get me to join the strike it was as if their brains had been taken out and replaced by one of those little golf-ball things you get in electric typewriters… ‘Betrayal’…’Confrontation’… ‘Management’… My God, you’d need a more supple language than that to describe an argument between two amoebas.”
Tom Stoppard, Night and Day

A 1966 TV interview with Bill Evans:

(This is the latest in a weekly series of arts-related videos that appear in this space each Wednesday.)

“Junk journalism is the evidence of a society that has got at least one thing right, that there should be nobody with the power to dictate where responsible journalism begins.”
Tom Stoppard, Night and Day

“No matter how imperfect things are, if you’ve got a free press everything is correctable, and without it everything is concealable.”
Tom Stoppard, Night and Day

I review the Roundabout Theatre Company’s Broadway revival of Mrs. Warren’s Profession in the Greater New York section of today’s Wall Street Journal. It isn’t very good. Here’s an excerpt.
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Nobody ever says the word “prostitution” out loud in George Bernard Shaw’s “Mrs. Warren’s Profession,” even though the oldest profession is what it’s all about. Small wonder: The play was written in 1894, but nobody dared to perform it on stage until 1902, Victorian prudery being what it was, and it has only been in recent years that “Mrs. Warren’s Profession” has been seen at all regularly in this country. Nowadays, though, interest in Shaw’s early work is on the upswing, and the Roundabout Theatre Company’s Broadway revival is the play’s third major American mounting so far this year (it was previously presented by California Shakespeare Theater and the Shakespeare Theatre Company of Washington, D.C.). Could it be that the once-scandalous, now-titillating subject matter of “Mrs. Warren’s Profession” makes it more attractive to modern audiences? I wouldn’t be surprised–but I’m sorry to say that the Roundabout’s erratic version has little else to offer.
On paper, the Roundabout’s “Mrs. Warren” looked like a sure thing. Cherry Jones, who is as accomplished a stage actor as we have today, plays the unapologetically vulgar madam whose “private hotels” are sufficiently profitable to allow her to buy Vivie (Sally Hawkins), her brainy daughter, a place in respectable English society. The staging is by Doug Hughes, who directed Ms. Jones in “Doubt,” and the sets are by Scott Pask, whose list of noteworthy design credits is several feet long. In addition to Ms. Jones, the cast includes such familiar faces as Mark Harelik, Edward Hibbert and Michael Siberry.
So what went wrong? Pretty much everything, though by far the worst offender is Ms. Hawkins, a British film and TV actor of some note whose performance as Vivie couldn’t be further off the mark. Shaw’s stage directions describe Vivie as the quintessential example of “the sensible, able, highly-educated young middle-class Englishwoman….strong, confident, self-possessed.” For Ms. Hawkins to play her as a squeaky, flighty semi-tomboy is thus nonsensical, and the fact that she swallows at least half of her lines renders large chunks of the play all but unintelligible….
* * *
The print version of the Journal‘s Greater New York section only appears in copies of the paper published in the New York area, but the complete contents of the section are available on line, and you can read my review of Mrs. Warren’s Profession by going here.