“For the past half century and more, it has been generally taken for granted that the director of a film is to be considered its ‘author,’ the individual who is primarily responsible for the film’s total effect, even when the weight of factual evidence pertaining to a specific film clearly indicates otherwise. Yet it remains unusual for the average American filmgoer to be able to name the directors of more than a handful of his favorite movies, and prior to the Fifties, when the ‘auteur theory’ became fashionable, it was far less common. For years, the only Hollywood directors widely known by name were those who, like Charlie Chaplin and Orson Welles, also starred in the films they directed–and a mostly forgotten man named Cecil B. DeMille…”