“Frank Loesser’s standing as a giant of American popular song would be secure even if he had written nothing but Guys and Dolls, one of a handful of postwar musicals to have received three Broadway revivals, the second of which ran almost as long as the original production. It is the quintessential Broadway show, a vade mecum of theatrical craft–and the long road that led Loesser to its opening night is in some ways as interesting as the show itself…”