I just got back from a workshop performance of part of The Letter, the Somerset Maugham opera-in-progress that I’m writing with Paul Moravec. We performed it for a group of hard-nosed opera and theater professionals. I’m exhausted after five straight days of six-and-seven-hour rehearsals, and I have to go see Cat on a Hot Tin Roof tonight, so I’ll keep it short: it went really, really, really well.
More after I get some sleep.