“Time lost is time when we have not lived a full human life, time unenriched by experience, creative endeavor, enjoyment, and suffering.”
Dietrich Bonhoeffer, Letters and Papers From Prison
Terry Teachout on the arts in New York City
“Time lost is time when we have not lived a full human life, time unenriched by experience, creative endeavor, enjoyment, and suffering.”
Dietrich Bonhoeffer, Letters and Papers From Prison
“There was something dangerous and remorseless in her optimism.”
Graham Greene, Brighton Rock
This week the Museum of the Moving Image in New York begins a Jacques Rivette retrospective. The bloggers at The House Next Door have been doing a fantastic job over the last week or so of prefacing the series with a cascade of links to stories, interviews, and critical considerations of the French director, whose 1974 movie C
Little lit quiz to ponder over your coffee this morning. Whose work is the subject of the following quotation?
Each novel is a formidable engine of strategy. It is made to be–a marvel of designing and workmanship, capable of spontaneous motion at the lightest touch and of travel at delicately controlled but rapid speed toward its precise destination. It could kill us all, had s/he wished it to; it fires at us, all along the way, using understatements in good aim. Let us be thankful it is trained not on our hearts but on our illusions and our vanities.
For bonus points and to really knock my socks off, name the critic too. Now, as far as I can tell this quiz is not self-checking via Google. But there may be tricks of the trade I’m not taking into account. If you want me to check your work, drop a line to ogic@artsjournal.com, or just sit tight and I’ll post the answers on Thursday.
The blogging forecast predicts continued fluff and diversions through the end of the week. It’s just that kind of week around here.
“It has always been hard for me to think of extraordinarily handsome people ever being very intimate with one another.”
Gordon Forbes, Goodbye to Some
“I have come to the resolution never to write for the sake of writing, or making a poem, but from running over with any little knowledge and experience which many years of reflection may perhaps give me–otherwise I will be dumb. What Imagination I have I shall enjoy, and greatly, for I have experienced the satisfaction of having great conceptions without the toil of sonnetteering. I will not spoil my love of gloom by writing an ode to darkness; and with respect to my livelihood I will not write for it, for I will not mix with that most vulgar of all crowds the literary. Such things I ratify by looking upon myself, and trying myself at lifting mental weights, as it were. I am three and twenty with little knowledge and middling intellect. It is true that in the height of enthusiasm I have been cheated into some fine passages, but that is nothing.”
“In a rain forest in Borneo the realities are so different. The popular cause is simply life and the reigning prejudice is death. Words are dust and without them we shall probably all find out what kind of men we are.”
Gordon Forbes, Goodbye to Some
So the Rachel Ries show Friday night was a lot of fun, though far shorter than I would have liked. There were highlights: despite forgetting to bring along her banjo, Ries soldiered on and performed on guitar one of my favorite of her songs, a simple but brilliant little song-poem about falling in love with a place. That place would be Valentine, NE, which sits on the Nebraska map like a trap–like an engraved invitation for someone to write a bad earnest or bad ironic song about it. Thank goodness, then, that in this case a greatly gifted songwriter took the bait. To wit:
Valentine, NE
Hey I found my home last night
On my way through Valentine.
Nebraska said, hey how you been,
Cause you’ve been gone for so long.
Hey how you been my sweet valentine?
Well, I’ve been in the concrete palace
Singing for rocks and dimes.
Wondering just how long I’d last
Living in the city on fire.
Hey how you been my sweet Valentine?
There’s a man down Chicago way
Thinking I’ll be home by suppertime.
But he’s no prairie, ain’t got no sky.
So goodbye my old valentine.
Hey I found my home last night
On my way through Valentine.
Nebraska said, hey how you been,
you’ve been gone for so long.
Hey how you been my sweet Valentine?
I love that the personification of the place in the first verse (“Nebraska said, hey how you been”) is mirrored in the third verse by the (unflattering) comparison of a person to a place. I love that she leaves this metaphor deliberately rough, likening apples to oranges without apology. And the understated way she juxtaposes valentine with Valentine in trading the man for the place.
But this song is better heard than read. You can listen to some of it at Amazon.
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