Archives for November 2006

“Home is a name, a word, it is a strong one; stronger than magician ever spoke, or spirit ever answered to, in the strongest conjuration.”

Charles Dickens, Martin Chuzzlewit

By the time most of you read these words, I’ll be in the general vicinity of Smalltown, U.S.A. I’m paying a long-overdue visit to my family, stopping off in St. Louis to visit yet another Frank Lloyd Wright house. I’ll be returning to New York on Monday. Tomorrow’s theater-related postings will appear on schedule, but I might take Monday off–there’s no telling. In any case, there’ll always be something for you to read at “About Last Night.”

Later.

Here’s my list of recommended Broadway and off-Broadway shows, updated weekly. In all cases, I gave these shows favorable reviews in The Wall Street Journal when they opened. For more information, click on the title.

Warning: Broadway shows marked with an asterisk were sold out, or nearly so, last week.

BROADWAY:

– A Chorus Line* (musical, PG-13/R, adult subject matter, reviewed here)

– Avenue Q (musical, R, adult subject matter and one show-stopping scene of puppet-on-puppet sex, reviewed here)

– The Drowsy Chaperone* (musical, G/PG-13, mild sexual content and a profusion of double entendres, reviewed here)

– Heartbreak House* (drama, G/PG-13, adult subject matter, reviewed here, closes Dec. 17)

– Jay Johnson: The Two and Only (one-ventriloquist show, G/PG-13, a bit of strong language but otherwise family-friendly, reviewed here)

– The 25th Annual Putnam County Spelling Bee (musical, PG-13, mostly family-friendly but contains a smattering of strong language and a production number about an unwanted erection, reviewed here)

– The Wedding Singer (musical, PG-13, some sexual content, reviewed here, closes Dec. 31)

OFF BROADWAY:

– The Fantasticks (musical, G, suitable for children old enough to enjoy a love story, reviewed here)

– Jacques Brel Is Alive and Well and Living In Paris (musical revue, R, adult subject matter and sexual content, reviewed here)

– The Prime of Miss Jean Brodie (drama, R, adult subject matter and nudity, reviewed here, closes Dec. 9)

– Slava’s Snowshow (performance art, G, child-friendly, reviewed here)

“I mean, the question actors most often get asked is how they can bear saying the same things over and over again night after night, but God knows the answer to that is, don’t we all anyway; might as well get paid for it.”

Elaine Dundy, The Dud Avocado

Ms. Kate’s Book Blog has made up a meme and tagged the world. I’m game:

1. How old were you when you learned to read and who taught you? I taught myself to read at the age of three. Somewhere in the family archives is a snapshot taken by my father that shows me lying on my stomach in the living room of the first house I can remember, reading the Daily Smalltown Standard.

2. Did you own any books as a child? If so, what’s the first one that you remember owning? If not, do you recall any of the first titles that you borrowed from the library? I “owned” dozens of books, some of them confiscated from my parents’ shelves and others bought with my allowance. A few can still be found on the shelves of my old bedroom, including a complete set of Reader’s Digest Best Loved Books for Young Readers, a long-forgotten series of volumes to which my parents wisely subscribed on my behalf. It was the Best Loved Books series that introduced me to Beat to Quarters, Call of the Wild, Jane Eyre, The Scarlet Pimpernel, Tom Sawyer, Treasure Island, Twenty Thousand Leagues Under the Sea, and the Sherlock Holmes stories, among many other good things. They were, to be sure, abridged versions, but what did I know? In addition, I went through a brief but intense period of youthful interest in comic books. My favorites were Batman, The Flash, and The Green Lantern. (I didn’t discover Spider-Man until much later.) I also owned several Peanuts paperbacks.

3. What’s the first book that you bought with your own money? Alas, I can’t remember–I was buying books from early childhood onward, and they piled up fast. The first book I clearly remember owning, though, was The Complete Sherlock Holmes, which my Uncle Jim gave to me as a Christmas present forty years ago. It traveled with me all the way from Smalltown to the Upper West Side of Manhattan, where it disintegrated at long last, having given me half a lifetime (I hope!) of loyal service.

4. Were you a re-reader as a child? If so, which book did you re-read most often? I re-read all my favorite books regularly, but I especially liked Little Men, the Sherlock Holmes stories, and The Scarlet Pimpernel. I saw the 1935 film version of The Scarlet Pimpernel for the first time in January, and found it satisfyingly faithful to my fond memories of the Baroness Orczy’s book.

5. What’s the first adult book that captured your interest and how old were you when you read it? I started dipping into my parents’ Reader’s Digest condensed books at an inappropriately early age–I can’t have been more than ten. Again, I read so many of them that I don’t recall which came first, but the one I remember most vividly is Advise and Consent, Allen Drury’s 1959 Washington novel, which I still revisit from time to time, always with pleasure. I was also hugely impressed by Herman Wouk’s The Caine Mutiny, and so it tickled me no end to be able to review the Broadway revival of The Caine Mutiny Court-Martial a few months ago, even though the production wasn’t any good.

6. Are there children’s books that you passed by as a child that you have learned to love as an adult? Which ones? Except for the Dr. Seuss books, I didn’t read any of the well-known modern children’s books as a boy. Stuart Little, Charlotte’s Web, and several of the Little House books were read out loud to me in elementary school, though, and I loved them all. I read them for myself a few years ago and enjoyed them even more. I read and liked the first three or four Harry Potter books not long after they came out, but lost interest after the first Harry Potter film was released. Snobbery, I guess.

“In a way he was the most abstract person I’ve ever met. That sounds wrong, it sounds as if I meant he was a philosopher or absent-minded. ‘Plastically sensual,’ which sounds like God knows what, would be closer. What I mean is, when he went to see a film he was so busy looking at the chiaroscuro he never saw the actors, and when he went to my theatre, he came out talking about my elbows.”

Elaine Dundy, The Dud Avocado

The media, not surprisingly, took comparatively little note of the recent death of Ernestine Gilbreth Carey, who was 98. (The New York Times eked out a nice obit last Monday, but it’s now safely ensconced behind the paper’s pay-to-play firewall.) For those who don’t recognize her name, she was the co-author of Cheaper by the Dozen, the perennially popular memoir of life with Frank and Lillian Gilbreth, the once-celebrated efficiency experts of the Twenties whose work is now mostly remembered by specialists. It was turned into a charming film in 1950, then “remade” to appalling effect a couple of years ago (nothing survived but the title).

Has the story of the Gilbreth family lost its charm for latter-day youngsters? I wonder. I read Cheaper by the Dozen repeatedly as a boy, marveling each time at the utterly mysterious and romantic prospect of living in a giant-sized family (I have just one brother). Somehow I doubt it seems as romantic to today’s children as it did back in the Sixties. I looked up Cheaper by the Dozen on amazon.com the other day and found, among other things, this “kid’s review” of the book:

I did not like Cheaper by the Dozen because it did not grab my attention at all. I do not like reading about the life of a large family where the father ties to teach the kids everything, or showing off in front of a bunch of people. I also do not believe anything of this story is realistic. Do you think someone now of days can handle 12 kids? I do not think so. Now of days things are more expensive, so think how wealthy someone has to be to maintain a house, work, and still have time to spend with each child and buy things you need in the household. And do you think the dad has time, with work to teach each child all the different things. I think you would like this book if you are interested in stories about everyday life with a big family and the parents tutoring 12 kids and go on vacations. Or if you want to know what life was like back then and have 12 kids. Still how can they fit 14 people in a car, 9 kids in the back, 1 in the front, the mother in the passenger side with 2 babies in her lap, and the father driving the car? I was thinking how 2 adults keep 12 screaming kids under control. If you like the movie Cheaper by the Dozen with Steve Martin you might like this book even though they are really different, even the last names are different. I really did not like this book but if you want to read it go right a head.

That made me smile, though it also made me sad. Above all, though, it made me want to reread both Cheaper by the Dozen and its equally touching sequel, Belles on Their Toes. Perhaps I’ll poke my nose into them again once I get my upcoming spasm of Thanksgiving-related travel (about which more later) out of the way.

P.S. You can view several of the actual Gilbreth motion-study films whose making is described in Cheaper by the Dozen by going here.

I did so much on my week off that now I need a day off!

See you tomorrow.