That’ll do it for the day, and for the week as well (except for the regular Friday drama-column teaser and the usual routine daily stuff). I’m going to try practicing what I’ve been preaching.
Later.
Terry Teachout on the arts in New York City
That’ll do it for the day, and for the week as well (except for the regular Friday drama-column teaser and the usual routine daily stuff). I’m going to try practicing what I’ve been preaching.
Later.
Here’s my list of recommended Broadway and off-Broadway shows, updated each Thursday. In all cases, I either gave these shows strongly favorable reviews in The Wall Street Journal when they opened or saw and liked them some time in the past year (or both). For more information, click on the title.
Warning: Broadway shows marked with an asterisk were sold out, or nearly so, last week.
BROADWAY:
– Absurd Person Singular (comedy, PG, adult subject matter, closes Dec. 18, reviewed here)
– Avenue Q* (musical, R, adult subject matter, strong language, one show-stopping scene of puppet-on-puppet sex, reviewed here)
– Chicago* (musical, R, adult subject matter, sexual content, fairly strong language)
– Dirty Rotten Scoundrels* (musical, R, extremely vulgar, reviewed here)
– Doubt* (drama, PG-13, adult subject matter, implicit sexual content, reviewed here)
– The Light in the Piazza (musical, PG-13, adult subject matter and a brief bedroom scene, closes Mar. 26, reviewed here)
– Sweeney Todd* (musical, R, adult situations, strong language, reviewed here)
– The 25th Annual Putnam County Spelling Bee* (musical, PG-13, mostly family-friendly but contains a smattering of strong language and a production number about an unwanted erection, reviewed here)
OFF BROADWAY:
– Orson’s Shadow (drama, PG-13, adult subject matter, very strong language, closes Dec. 31, reviewed here)
– See What I Wanna See (musical, R, adult subject matter, explicit sexual situations, strong language, closes Dec. 4, reviewed here)
– Slava’s Snowshow (performance art, G, child-friendly, reviewed here)
– Combined advance paid to Ernest Hemingway by Scribner’s in 1926 for The Sun Also Rises and The Torrents of Spring: $1,500
– The same amount in today’s dollars, courtesy of Inflation Calculator: $15,849.36
(Source: Jeffrey Meyers, Hemingway: A Biography)
“One must work, if not from taste then at least from despair. For, to reduce everything to a single truth: work is less boring than pleasure.”
Charles Baudelaire, Journal intime
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