“Of all possible subjects, travel is the most difficult for an artist, as it is the easiest for a journalist.”
W.H. Auden, The Dyer’s Hand
Terry Teachout on the arts in New York City
“Of all possible subjects, travel is the most difficult for an artist, as it is the easiest for a journalist.”
W.H. Auden, The Dyer’s Hand
“He capers, he dances, he has eyes of youth; he writes verses, he speaks holiday, he smells April and May.”
William Shakespeare, The Merry Wives of Windsor
“He capers, he dances, he has eyes of youth; he writes verses, he speaks holiday, he smells April and May.”
William Shakespeare, The Merry Wives of Windsor
“I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun.”
Raymond Chandler, Farewell, My Lovely
“I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun.”
Raymond Chandler, Farewell, My Lovely
I was inspired to post the fortune cookie below after dining last night with friends whose non-Catholic daughter is about to start Catholic school and isn’t quite sure what to expect. This reminded me of how passionately Mary McCarthy writes of the superior historical education she received at her convent school. That education was effective, she found, in direct proportion to its high-pitched subjectivity: the conviction with which the nuns cast historical actors as heroes and villains and the inculcation of a powerful rooting interest in the students. The cookie below is part of the chapter of Memories of a Catholic Girlhood that describes this education, “C’est le Premier Pas Qui Co
I was inspired to post the fortune cookie below after dining last night with friends whose non-Catholic daughter is about to start Catholic school and isn’t quite sure what to expect. This reminded me of how passionately Mary McCarthy writes of the superior historical education she received at her convent school. That education was effective, she found, in direct proportion to its high-pitched subjectivity: the conviction with which the nuns cast historical actors as heroes and villains and the inculcation of a powerful rooting interest in the students. The cookie below is part of the chapter of Memories of a Catholic Girlhood that describes this education, “C’est le Premier Pas Qui Co
“And, thanks to the standardization of an archaic rule, the past still vibrated in the convent, a high, sweet note. It was the France of the Restoration that was embalmed in the Sacred Heart atmosphere, like a period room in a museum with a silken cord drawn across it. The quarrels of the philosophes still echoed in the classrooms; the tumbrils had just ceased to creak, and Voltaire grinned in the background. Orthodoxy had been re-established, Louis XVIII ruled, but there was a hint of Orleanism in the air and a whisper of reduced circumstances in the pick-pick of our needles doing fine darning and turning buttonholes. Byron’s great star had risen, and, across the sea, America beckoned in the romances of Chateaubriand and Fenimore Cooper and the adventures of the coureurs de bois. Protestantism did not trouble us; we had made our peace with the Huguenots. What we feared was skepticism, deism, and the dread spirit of atheism–France’s Lucifer. Monthly, in the study hall, the Mother Superior, Madame MacIllvra, adjured us, daughters of dentists and lawyers, grocers and realtors, heiresses of the Chevrolet agency and of Riley & Finn, contractors, against the sin of doubt, that curse of fine intellects. Her blue eyes clouded and her fair white brow ruffled under her snowy coif as she considered, with true feminine sympathy, the awful fate of Shelley, a young man of good family who had contracted atheism at Oxford.”
Mary McCarthy, Memories of a Catholic Girlhood
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