Archives for May 18, 2005

Yesterday I was striving to describe some of the infinitely variable moods of Lake Michigan, and tonight Mr. Modern Kicks goes and provides a one-click ticket to an unbelievably perfect–and perfectly beautiful–illustration of what I was babbling on about with these suddenly crude-seeming materials, words: Cynthia King’s far more eloquent oil pastels of the very lake, in several of its moods. I haven’t decided yet whether seeing her lovely pictures adds steam to the prospective Lake Diary project or just makes it seem terribly unnecessary.

“‘There is no man,’
he began, ‘however wise, who has not at some period of his youth said
things, or lived in a way the consciousness of which is so unpleasant
to him in later life that he would gladly, if he could, expunge it
from his memory. And yet he ought not entirely to regret it, because
he cannot be certain that he has indeed become a wise man–so far as
it is possible for any of us to be wise–unless he has passed through
all the fatuous or unwholesome incarnations by which that ultimate
stage must be preceded. I know that there are young fellows, the sons
and grandsons of famous men, whose masters have instilled into them
nobility of mind and moral refinement in their schooldays. They have,
perhaps, when they look back upon their past lives, nothing to
retract; they can, if they choose, publish a signed account of
everything they have ever said or done; but they are poor creatures,
feeble descendants of doctrinaires, and their wisdom is negative and
sterile. We are not provided with wisdom, we must discover it for
ourselves, after a journey through the wilderness which no one else
can take for us, an effort which no one can spare us, for our wisdom
is the point of view from which we come at last to regard the world.
The lives that you admire, the attitudes that seem noble to you are
not the result of training at home, by a father, or by masters at
school, they have sprung from beginnings of a very different order, by
reaction from the influence of everything evil or commonplace that
prevailed round about them. They represent a struggle and a victory. I
can see that the picture of what we once were, in early youth, may not
be recognisable and cannot, certainly, be pleasing to contemplate in
later life. But we must not deny the truth of it, for it is evidence
that we have really lived, that it is in accordance with the laws of
life and of the mind that we have, from the common elements of life,
of the life of studios, of artistic groups–assuming that one is a
painter–extracted something that goes beyond them.'”

Marcel Proust, A l’ombre des jeunes filles en fleurs (trans. C.K. Scott Moncrieff)

I just got back from New Haven, where I drove in order to see Long Wharf Theatre’s production of Tom Stoppard’s Travesties (I’ll be reviewing it next week in The Wall Street Journal). It was a long night and a long drive, and I have four appointments ahead of me today–one of which is a house call from a computer repairwoman. Yikes!

For all these reasons, I rather doubt I’ll be posting anything more until Thursday. In my absence, do the obvious: slide over to the right-hand column, scroll down to “Sites to See,” and explore the wonderful world of artblogging.

See you later.