“Americans as a whole do not really care for poems or novels or plays as such, as individual works of art each of which is to a certain extent self-contained and autonomous. They like the generalisations that can be drawn from them or put into them, the messages, the bits of uplift or downpush, the statements, the large imponderables reached as soon and as directly as possible without niggling, limiting, specialising detail (seen in things like character, story, setting, motivation, etc.) and proclaimed as loudly and eye-catchingly as possible.”
Kingsley Amis, Memoirs