ArtsJournal: Arts, Culture, Ideas

Today’s AJ Highlights

Good morning: Some weeks events push along swarms of stories that illuminate long term trends. This week it’s the collapsing of traditional TV. Long lucrative late-night talk shows are failing. The satellite TV business is dying and bleeding subscribers. And a fascinating story from Tech Hive explains how traditional TV providers have been cannibalizing their own business in a reckless and completely predictable way. Business models across creative industries are being disrupted, but in Big Commercial Culture industries, the stakes are in the billions rather than the millions of dollars. Lessons in adaptability abound. Here are more highlights from today’s haul:

  • Museums Embrace Digital Artifacts, But Are They Ready? As museums begin to collect digital artifacts such as NFTs and interactive online art, curators face new challenges in preservation, authenticity, and public engagement. This shift could redefine how institutions archive culture in the digital age. Read more in The Art Newspaper.
  • AI’s Robot Problem Google’s mission to give AI a physical form is proving to be a monumental challenge. With robots needing massive amounts of data to function beyond basic tasks, the project highlights the complexities and limitations of merging AI with robotics. Read more in Wired.
  • Booker Prize Longlist Features Debut Novelists The 2024 Booker Prize longlist has been announced, with several debut novelists among the nominees. Read more in The Guardian.
  • James Earl Jones: More Than Just a Voice While best known for his iconic voice, James Earl Jones’ career spanned over 60 years with more than 200 roles in theater, film, and television. This article explores the depth of his work beyond his voice. Read more in The New Yorker.
  • Cultural Tourism in Australia Becomes a Billion-Dollar Industry Once barely existent, cultural tourism in Australia has expanded dramatically over the last 40 years, now involving indigenous communities and spreading beyond big cities, with the arts playing a crucial role. Read more in ArtsHub.

As usual, the rest of our stories are below. If you like AJ, pass along this newsletter to colleagues so they can subscribe. Have a great weekend.

Doug

Latest Stories

How Marla Mindelle Became The Queen of Queer Off-Broadway

Says the creator and star of hit parodies Titanique and The Big Gay Jamboree, "I liken myself to the homeless man’s Lin-Manuel Miranda. I’m still broke, but I’ve excelled at carving out a little queer millennial piece of the pie." - Variety

Remembering Painter Frank Auerbach Who Has Died At 93

In almost any Auerbach oil painting, early or late, rawness is thick on the ground. So dense, so clotted, and so busily heaped is the pigment that you’re not sure whether to gaze at it, lick it, chew it, or file a weather report. - The New Yorker

Baltimore Symphony Oboist Has Become A Clearing House For Classical Music’s #MeToo Reckoning

“We need to show our industry and music-loving public that there are consequences for inappropriate behaviour,” Katherine Needleman says. - Baltimore Banner

Premium

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Managing Director – Roundabout Theatre Company

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General Director – Opera Colorado

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Executive Director – The Washington Ballet

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Executive Director – Kansas City Repertory Theatre

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Executive Director – Maestra Music

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ARTISTIC DIRECTOR, Australian National Academy of Music 

The Australian National Academy of Music provides artistic and professional development for the most exceptional young classical musicians from Australia and New Zealand.

Classifieds

Chamber Music Society of Lincoln Center seeks Digital Content Manager

Reporting to the Director of Digital Media, you will take a leading role in ensuring that our website remains dynamic, up-to-date, and filled with compelling content that resonates with classical music enthusiasts at every step of their journey.

Stratford Festival seeks their next Artistic Director

“Stratford is by every measure – budget, employment, attendance, production – the largest repertory theater in North America, and likely the largest nonprofit theater, period.”

Global Executive Arts Management Fellowship

A three-year, fully-subsidized program for arts and culture executives.
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