The two paintings are not obvious fakes. Indeed, one is considered a masterpiece, but they are unusual in the oeuvre of Vermeer: smaller than his other works, and painted on wooden panels instead of canvas. – The New York Times
The two paintings are not obvious fakes. Indeed, one is considered a masterpiece, but they are unusual in the oeuvre of Vermeer: smaller than his other works, and painted on wooden panels instead of canvas. – The New York Times