You don’t look at a Cézanne, some ravishing late works excepted. You study it, registering how it’s done—in the drawings, with tangles of line and, often, patches of watercolor. – The New Yorker
You don’t look at a Cézanne, some ravishing late works excepted. You study it, registering how it’s done—in the drawings, with tangles of line and, often, patches of watercolor. – The New Yorker