“For Lovette, becoming a choreographer was something she grew into. ‘When I was 18 and I had just joined the New York City Ballet and the corps, I remember doing a piece next to Justin Peck … and I thought, ‘That’s a choreographer. I’m not. I’ll just stick to dancing. I don’t think I have what it takes.’ And it was my boss. Peter Martins, who ever since that day thought that my piece was really good, even if I didn’t think so. Every year, in passing, he’d say, ‘She’s a choreographer.'” – Los Angeles Magazine
