“In much of the dance world, the process of becoming successful as a choreographer can seem frustratingly oblique. On Broadway, however, that path is surprisingly linear and well defined. Most people end up following a sequence of positions that includes becoming dance captain of a show, then assistant choreographer, then associate choreographer and, finally, main choreographer. What boosts you from one rung of the ladder to the next is a combination of initiative, networking and, of course, creativity.” – Dance Magazine
