“If the postmodernism of the 1980s considered the museum to be in crisis and contemplated its “ruins,” today many see these same institutions as frustratingly intact, as bulwarks against change, citadels to be stormed. (Even ten years ago, the Left’s critique of museums was simply that they had transformed from civic sites to experiential fun houses. “The late-capitalist museum” was understood to be a space of spectacle, not BlackRock lucre.) Where an earlier generation of artists associated with institutional critique pointed to the museum’s genetic incoherence, as well as to the incursion of corporate interests, today the museum itself stands as a purveyor of systemic and symbolic violence.” – ArtForum
