“There have been a lot of bad things happening this year, obviously. But the good thing about being a critic during this pandemic is that it forces us to be flexible in a way that a lot of critics may have been resistant to. I think it’s really essential that we don’t lock critics in this very strict, old-fashioned idea of what criticism is and should be. The pandemic has emphasized that there should be a broadening of ideas of how the arts interact, and in theatre, what the art form even is. That’s really intimidating but also exciting, and I’m fortunate to be stepping into this space on such a large platform at such a strange, experimental time.” – American Theatre
