“For the most part, it didn’t aim straight at the president. … Rather, producers elevated formally adventurous, politically incendiary plays — like Heidi Schreck’s What the Constitution Means to Me and Jeremy O. Harris’s Slave Play — that spoke meaningfully to our nation’s troubled soul. Audiences, hungering for that holiest of dramatic experiences, catharsis, used the ritual of theatergoing to think and hurt and heal.” – The New York Times
