After all, “in 2009, critic Allan Kozinn declared in The New York Times, ‘If you think about it, drums are the new violins,’ pointing out the newfound ubiquity of percussion on new music programs.” And with the 21st-century blossoming of contemporary classical repertoire in the U.S., percussion groups are getting ever more pieces to play and ever more opportunities to play them. Jeremy Reynolds on how and why it’s happening. – San Francisco Classical Voice
