“I covered the 3-D boom from the start, and even early on one could see that the golden goose was cooked. It was clear that the marginal returns on 3-D screenings were rapidly diminishing.” - The Atlantic
“Along with projecting portraits of Angelenos, Am I Next? highlights brief stories of people, including US citizens, accosted and snatched out of homes, cars, workplaces and the streets by federal agents, under the word ‘Taken.’” - The Guardian (UK)
“Here’s what I love about listening: I can do it all the time, not just while sitting still. I read … while making my bed, brushing my teeth, unloading the dishwasher, commuting to work, waiting in line, driving and occasionally while falling asleep.” - The New York Times
“It is possible, with your small candle, to make your way in the darkness. One delight, against all this. The world crumbles, and lipstick sales go up. And so, too, do sales of romantic fiction.” - The Guardian (UK)
This feels very, let’s say, sixth-grade. One actor: “‘Theater kid’ being the bullied party is a tale as old as time. … We’ve always been the outsiders, the weirdos. It’s a quick cultural shorthand to treat us as the underdog.” - The New York Times
"Death, collapsed relationships, the passing of youth and the inexorable passage of time: these are sombre themes that fit a quite spectacularly grim year. But in the broader context of what’s happening to music, these albums about loss are, oddly, cause for optimism.” - The Guardian (UK)
Bad, really bad. "It’s a mistake to compare this stuff to other films. It is, indeed, a mistake to compare it to any other artistic enterprise. What we’re dealing with is closer to tinsel or snow in a can. Christmas movies are mere decoration.” - Irish Times (Archive Today)
How to pick an (Oscar) winner: "The presumptive top five in the Best Picture race includes two auteur-driven blockbusters, one old-school weepie, one timely social drama, and one family saga by a venerated European director.” - Vulture
“You don’t have a right to make your movie, because it costs so much and you need so much help. You do have to earn the right to make your movie. That is a part of our job.” - Los Angeles Times (Yahoo)
Gross. "Every type of writing requires specific attention to detail. For people not to take that seriously (and to ask for your help in promoting their work when they don’t do anything to help boost other people’s work) is pretty shitty behavior.” - LitHub
“His second feature, entitled It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives, premiered at the Berlin film festival in 1971 and has since been described as Germany’s 'Stonewall moment,’ radically breaking conventions in its portrayal of queer life.” - The Guardian (UK)
Why? Because a comedian knew what was coming. “Morton isn’t in the game to sell off his domains. ... Instead, he buys them with the express purpose of turning them into seemingly legit websites that, upon closer inspection, often skewer their namesakes.” - Washington Post (Yahoo)
The first club meetup included “an exclusive Theater Club post-show talkback with artists who worked on the show, and a drink ticket that can be used at the Chopin bar so folks can hang out after the talkback and chat theatre with likeminded folks.” - American Theatre
How did it go? “The year-long celebration cost around £51m and generated audiences of three million people.” OK. Also, train traffic from London went way up. - BBC
“Hollywood machers were convinced the film would never make money and that Warner Bros’ big gamble ‘could be the end of the studio system.’ But Sinners never let that cynicism in.” - The Guardian (UK)
The Frick’s new chief curator loves nothing more than researching the women on the walls. "What captured Ng’s attention, though, was Lady Skipwith’s forlorn expression. Was she as miserable as she appeared in the painting?” - The New York Times
How did it go? “The year-long celebration cost around £51m and generated audiences of three million people.” OK. Also, train traffic from London went way up. - BBC
Unity, cohesion, and a sense of epic narrative have been lost. Freedom, pluralism, sensitivity, and a respect for difference have been gained, and, overall, I am glad. - History Today
Behavioral economics has identified dozens of cognitive biases that stop us from acting ‘rationally’. But instead of building up a messier and messier picture of human behavior, we need a new model. - Works in Progress
If we consider literacy not as the ability to parse simple sentences but as the capacity to comprehend and enjoy complex texts, and ultimately as a sensibility that approaches the world itself as a text that requires interpretation, it’s obvious we live in an unprecedented decline of what neuroscientist Maryanne Wolf calls “deep literacy.” - Baffler
With the Internet of Things, and more broadly the layering of networked computers into every interaction, the function of almost anything, or the availability of any service, can be made contingent on the provider and the customer keeping a good relationship, subject to terms of service set unilaterally, revocable at will. - Commonplace
Why? Because a comedian knew what was coming. “Morton isn’t in the game to sell off his domains. ... Instead, he buys them with the express purpose of turning them into seemingly legit websites that, upon closer inspection, often skewer their namesakes.” - Washington Post (Yahoo)
The history of Montréal’s night-time regulation reveals how managing nightlife expanded police power and budgets — and how burdensome effects of these changes fell disproportionately on sex workers, the queer community and hospitality industry workers. - The Conversation
“It was such a surprise to me when they said we’re going to rename it,” she recounted in a phone interview. “I said, ‘Oh my gosh,’ and pushed my button. But then I was muted.” - The New York Times
“The Japanese conglomerate has bought 41% of Peanuts Holdings, which owns the intellectual property Schulz created, from the Canadian children’s entertainment company WildBrain (for C$630 million/US$458 million). The deal raises Sony’s total stake, which it began building in 2018, to 80%. The Schulz family owns the remaining 20%.” - The Guardian
White House Press Secretary Karoline Leavitt announced the "Trump-Kennedy Center" name changer earlier Thursday after a board that the president handpicked earlier this year voted unanimously to rename the performing arts venue. - Axios
“Most nonprofits that lost promised funding after the city of San Antonio ended a grant program to protect federal dollars are getting money back this month through a new, similar initiative. Still, most awards are several thousand dollars less than before, and one organization — the Network for Young Artists — received nothing.” - San Antonio...
"Death, collapsed relationships, the passing of youth and the inexorable passage of time: these are sombre themes that fit a quite spectacularly grim year. But in the broader context of what’s happening to music, these albums about loss are, oddly, cause for optimism.” - The Guardian (UK)
Music has a variety of “jobs,” as the other arts do. It can calm, soothe, and delight. It can also provoke, disturb, bite. No one expects the other arts to be beautiful and soothing, only. (Think of theater!) But some people have that expectation of music. - Plough
The June event, formerly the 96-Hour Opera festival, is being expanded and rechristened as the NOW Festival (New Opera Works), with well-known librettist and director Tazewell Thompson as artistic advisor. - EarRelevant
Rather than serve the public’s curiosities, he said, he wants to serve artists—to give them “a place for them to learn a little bit more about themselves.” - The Atlantic
Those worries are being deepened by how the major labels, once fearful of the technology, are now embracing it – and heralding a future in which ordinary listeners have a hand in co-creating music with their favourite musicians. - The Guardian
“Along with projecting portraits of Angelenos, Am I Next? highlights brief stories of people, including US citizens, accosted and snatched out of homes, cars, workplaces and the streets by federal agents, under the word ‘Taken.’” - The Guardian (UK)
The Frick’s new chief curator loves nothing more than researching the women on the walls. "What captured Ng’s attention, though, was Lady Skipwith’s forlorn expression. Was she as miserable as she appeared in the painting?” - The New York Times
After years of “fast-casual architecture” — blocky, drab grey hulks clad in relentless grid façades which look all the worse next to the city’s fine old brick rowhouses — architects in Philadelphia are getting back in touch with the craft of bricklaying and getting away from straight lines. - The Philadelphia Inquirer (MSN)
Behind the walkout are not only frayed labor relations, but a building itself under strain, with crumbling parts of the aging former palace now deemed unsafe. At the heart of the crisis lies a deeper rupture: a $102 million jewel heist that exposed security failures. - APNews
“Dr. Nicholas Cullinan, the British Museum director, told The Telegraph that the project would be a ‘new model’ for working with countries seeking redress for colonialism, with former nations of the empire welcome to strike long-term deals for artefacts held in Britain.” - The Telegraph (UK)
“The decision was taken during a general assembly of museum workers, who voted unanimously to pause the strike to allow the museum to welcome visitors. … The suspension followed five meetings with Culture Ministry officials but said progress remains insufficient, particularly on staffing levels, pay and long-term security plans.” - AP
“Here’s what I love about listening: I can do it all the time, not just while sitting still. I read … while making my bed, brushing my teeth, unloading the dishwasher, commuting to work, waiting in line, driving and occasionally while falling asleep.” - The New York Times
“It is possible, with your small candle, to make your way in the darkness. One delight, against all this. The world crumbles, and lipstick sales go up. And so, too, do sales of romantic fiction.” - The Guardian (UK)
Gross. "Every type of writing requires specific attention to detail. For people not to take that seriously (and to ask for your help in promoting their work when they don’t do anything to help boost other people’s work) is pretty shitty behavior.” - LitHub
A recent report from NielsenIQ found that trade nonfiction sales have slipped sharply. In volume terms, the category is down 8.4% between last summer and the same period this year – nearly double the decline in paperback fiction – and down 4.7% in value. - The Guardian
“(Library executives’) stated ‘values’ included a roll call of abstract nouns: openness, honesty, compassion, equality and fairness. Yet staff tell a story of gross mismanagement, woeful pay and an executive board who are completely out of touch with the day-to-day running of the library.” - The Standard (London)
“I covered the 3-D boom from the start, and even early on one could see that the golden goose was cooked. It was clear that the marginal returns on 3-D screenings were rapidly diminishing.” - The Atlantic
Bad, really bad. "It’s a mistake to compare this stuff to other films. It is, indeed, a mistake to compare it to any other artistic enterprise. What we’re dealing with is closer to tinsel or snow in a can. Christmas movies are mere decoration.” - Irish Times (Archive Today)
How to pick an (Oscar) winner: "The presumptive top five in the Best Picture race includes two auteur-driven blockbusters, one old-school weepie, one timely social drama, and one family saga by a venerated European director.” - Vulture
“You don’t have a right to make your movie, because it costs so much and you need so much help. You do have to earn the right to make your movie. That is a part of our job.” - Los Angeles Times (Yahoo)
“Hollywood machers were convinced the film would never make money and that Warner Bros’ big gamble ‘could be the end of the studio system.’ But Sinners never let that cynicism in.” - The Guardian (UK)
In 2023, when he was ballet director at Germany's Hannover State Opera, Marco Goecke did this and was promptly fired. Now he’s been given another chance: he’s artistic director of Ballet Basel in Switzerland. Critics have set aside any grievances, but Goecke’s big mouth has nevertheless gotten him into trouble. - The New York...
Ballet West in Salt Lake City reported Monday a “dramatic spike” in people “arriving at performances with fake or invalid tickets purchased from third-party sellers.” - The Salt Lake Tribune
“Having worked with the Ballets Russes, most notably with Vaslav Nijinsky …, Marie Rambert became a pioneer in British ballet: setting up a ballet school, and then establishing her own company, the first in the UK, Ballet Rambert, which she led for 40 years after its founding in 1926.” - Bachtrack
“Average seat occupancy is 97 percent, among the highest in Europe. … Now with confidence in its survival skills” — and an adept, energetic director — “the ballet company is eager to raise its profile from a company of regional importance to one that can rank among Europe’s best.” - The New York Times
The magazine, called something else earlier, has been around since before the Great Depression. In the 1960s, though, "dance emerged as a potent form of political expression.” - Dance Magazine
“(LA)HORDE is a choreographic collective running the National Ballet of Marseille and rewriting the ballet rulebook for a new era. Their work blends classical techniques with surprising influences, from queer nightlife to the political history of social dance.” - BBC (video)
This feels very, let’s say, sixth-grade. One actor: “‘Theater kid’ being the bullied party is a tale as old as time. … We’ve always been the outsiders, the weirdos. It’s a quick cultural shorthand to treat us as the underdog.” - The New York Times
The first club meetup included “an exclusive Theater Club post-show talkback with artists who worked on the show, and a drink ticket that can be used at the Chopin bar so folks can hang out after the talkback and chat theatre with likeminded folks.” - American Theatre
Jaime Castañeda, a freelance director who has worked extensively with the top regional companies in California and with New York’s Atlantic Theater Company, will assume his role next July. He succeeds interim artistic director and resident director Jonathan Norton as well as former artistic director Kevin Moriarty, now DTC’s executive director. - KERA (Dallas)
For a struggling industry, these two theaters — and a handful of others — are models of success: They are producing a healthy menu of shows, drawing large audiences, running budget surpluses and raising money for capital projects. But they are definitely in the minority. - The New York Times
Even eight years after opening, Harry Potter and the Cursed Child is outselling every other current show on Broadway. The lead producers are making millions in royalties, but investors, after earning back their initial investments, have gotten a return of only 6% (11% with a New York state tax credit). - Broadway Journal
One could say that they just put an actor in a bear suit, but it really isn’t that simple. There’s some real theatrical magic at work. - The New York Times
“His second feature, entitled It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives, premiered at the Berlin film festival in 1971 and has since been described as Germany’s 'Stonewall moment,’ radically breaking conventions in its portrayal of queer life.” - The Guardian (UK)
“(He) was the Netherlands’ best-known choreographer for over sixty years and regarded as one of the great masters of contemporary ballet. He was also one of the most productive, creating more than 150 works. … All bear his distinct signature – clarity in structure, refined simplicity and an aversion to unnecessary decorative frills.” -...
In the 1960s, he was producer and then host of flagship arts magazine Monitor before supervising all music and arts programming. He co-founded London Weekend Television, then hosted ITV’s first major arts program, Aquarius. In the mid-1970s, he returned to the BBC, presiding over a golden age of arts on television. - The Telegraph...
Now 32 and being held without bail as a suspect in the murder of his parents, Nick was 15 when he entered drug rehab for the first time. He see-sawed between attempts at recovery and relapses with heroin and cocaine ever since. - The New York Times
Reiner was “a writer, director, producer, actor and political activist whose career in Hollywood spanned more than six decades and included some of the most iconic titles in movie history,” and a political activist who "emerged as a force in California politics.” - Los Angeles Times (MSN)
News broke late Sunday night that "the Los Angeles Police Department said it was investigating an ‘apparent homicide’ at the couple’s home in West Los Angeles.” - The New York Times
Earn your Master’s in One Year. Northwestern University’s MS in Leadership for Creative Enterprises (MSLCE) program develops leaders across Entertainment, Media and the Arts.
How to pick an (Oscar) winner: "The presumptive top five in the Best Picture race includes two auteur-driven blockbusters, one old-school weepie, one timely social drama, and one family saga by a venerated European director.” - Vulture
News broke late Sunday night that "the Los Angeles Police Department said it was investigating an ‘apparent homicide’ at the couple’s home in West Los Angeles.” - The New York Times
But sadly, he’s not here to see it. “Why the opera was not performed when it was written, in 1995, offers a snapshot of the classical music scene in Italy at the time, which snubbed Morricone as a mere composer of film soundtracks.” - The New York Times
“The archives ... said that no curators of ‘The American Story’ were available to speak, citing staff departures that have left the institution with only two curators, neither of whom had a substantial role in the exhibition.” - The New York Times
“Long before he became an unlikely political force, Mayor-elect Zohran Mamdani was just another 20-something trying to squeeze a laugh out of his Saturday improv class in Manhattan.” - The New York Times
“The ‘Goldberg Variations’ was Gehry’s favorite work. He loved its otherworldliness and its worldliness. He loved its invitation to dance and to dream. He loved its astonishing sense of design, complex yet flowing with the ocean’s grace, its depth and its inviting surface.” - Los Angeles Times (Yahoo)
“What is the Kennedy Center now? For one thing, it’s getting a Trumpian revamp. He ordered new marble and the repainting of the exterior columns in austere white. Portraits of the first and second couples now hang in the center’s Hall of Nations.” - Washington Post (MSN)
“There is no escape in the Sphere. The walls are screens. The ceilings are screens. The floor, swooping underneath you at an impossible angle, is a screen, too.” - Slate
Ireland, Spain, Slovenia, and the Netherlands have all withdrawn from the 2026 competition. The Dutch broadcaster: "After weighing all perspectives, Avrotros concludes that, under the current circumstances, participation cannot be reconciled with the public values that are fundamental to our organisation.” - The Guardian (UK)
Hollywood. “At one point in the early 1990s, Stoppard earned $500,000 for a five-week stretch polishing various projects for Universal Pictures. … He seemed to have a particular fondness for dog movies, contributing to both Beethoven and 102 Dalmatians.” - The New York Times
“Based on the available evidence, the skills that future graduates will most need in the AI era—creative thinking, the capacity to learn new things, flexible modes of analysis—are precisely those that are likely to be eroded by inserting AI into the educational process.” - The Atlantic
"Playing an instrument well is phenomenally difficult. It takes a lifetime of arduous work and can become all-consuming, making it easy to forget that technical mastery is a means to an expressive end, not the goal. … In and of itself, it is uninteresting.” - The New York Times