In a New York Times op-ed, Laura Raicovich and Laura Hanna call for a generous increase in the way the government, in particular the federal government, funds arts institutions: As policymakers in Washington gather to draft a new budget for fiscal year 2025, they could solve culture’s current financial crisis and radically reshape how we think about sustaining the arts. They could do this by tapping into abundant appropriations that already enjoy bipartisan support. To make this possible, first we need to stop treating museums, theaters and … [Read more...]
What to do with the NEA? Make it Conservative?
In my last post I wrote about the Cato Institute’s Ryan Bourne’s call to eliminate the National Endowment for the Arts. Here I will consider a different approach from the right, Mark Bauerlein’s “MAGA needs High Art, Not just Kid Rock”, from the New York Times. He writes about the National Endowment for the Humanities as well as the NEA, but I will focus on his thoughts about the latter (to this point, the NEH has taken some heavy cuts, but not so the NEA). Here are some selections from the op-ed: But for the Trump … [Read more...]
What do to with the NEA? Pull the plug?
Two opinion pieces were published this week giving different conservative takes on what to do with the NEA. I’ll talk about Mark Bauerlein’s New York Times Op-Ed in the next post; here I look at the Cato Institute’s Ryan Bourne’s briefing paper “End the National Endowment for the Arts”. To begin I’ll skip all the way to his last paragraph, which begins: There is no robust economic case for direct taxpayer funding of art. And, as I wrote in chapter two of my book on arts funding (an ungated working paper version of … [Read more...]
On the aesthetic education of the young
From Book III of The Republic, by Plato (circa 375 BCE, translation by F. M. Cornford). Socrates is speaking with Glaucon: One thing, however, is easily settled, namely that grace and seemliness of form and movement go with good rhythm; ungracefulness and unseemliness with bad. Naturally. And again, good or bad rhythm and also tunefulness or discord in music go with the quality of the poetry; for they will be modelled after its form, if, as we have said, metre and music must be adapted to the sense of the words. Well, they must be … [Read more...]
What was I thinking?
“There is no simple explanation for anything important any of us do, and the human tragedy, or the human irony, consists in the necessity of living with the consequences of actions performed under the pressure of compulsions so obscure we do not and cannot understand them.” Hugh MacLennan, The Watch that Ends the Night (1959). … [Read more...]
The French Culture Pass Revisited
ArtReview tells us that the French Culture Pass is being put on simmer: The French Government has announced a 50 percent cut in their lauded Culture Pass, four years after its nationwide launch for young people aged fifteen to eighteen to take up cultural activities. The legislation, signed by Prime Minister François Bayrou, the Culture Minister Rachida Dati and other ministers, sees the pass for eighteen-year-olds reduced from €300 to €150, while the €20 available for fifteen-year-olds and €30 for sixteen-year-olds … [Read more...]
Art in Turbulent Times
Recently artsjournal.com shared a lengthy piece by composer and musician Jonathan Blumhofer, on the arts in times of political unrest. Although you will see I disagree with its message, it is a thoughtful and considered piece. After a discussion of the complex, to say the least, relationship between conductor Wilhelm Furtwängler and the Nazis, he writes: Furtwängler and his Brahms performance have been on the mind of late as the balance of power has shifted in our nation’s capital and a neo-authoritarian lurch seems imminent. Granted, … [Read more...]
On art and the pursuit of power
The arts themselves, as I considered the matter, by their ultimately sensual essence, are, in the long run, inimical to those who pursue power for its own sake. Conversely, the artist who traffics in power does so, if not necessarily disastrously, at least at considerable risk. A Buyer's Market (1952). … [Read more...]
A few words from your friendly neighbourhood Canadian: updated
This is a blog about arts management and policy. But as someone who has led many students through the basics of international trade, and as your resident Canadian, I'm going to use this space for a few words on the current state of relations across the 49th parallel. As bad as things are in the current tariff dispute, I don't think it's the worst thing happening right now. Targeting vulnerable groups is cruel, and worse. Recent Cabinet appointments are as unqualified as one could possibly imagine (under an administration claiming a … [Read more...]
What is public funding of the arts for?
Some Adam Smith as an appetizer… Consumption is the sole end and purpose of all production; and the interest of the producer ought to be attended to, only so far as it may be necessary for promoting that of the consumer. The maxim is so perfectly self-evident, that it would be absurd to attempt to prove it. Now to the present. Nashville’s WPLN public radio reports on a dispute at the city’s Metro Arts agency: The debate can be summed up like this: should Metro Arts focus its grantmaking on individual artists or arts … [Read more...]
On owning many books
"He [Gabriel Oak] also thought of plans for fetching his few utensils and books from Norcombe. The Young Man’s Best Companion, The Farrier’s Sure Guide, The Veterinary Surgeon, Paradise Lost, The Pilgrim’s Progress, Robinson Crusoe, Ash’s Dictionary, and Walkingame’s Arithmetic, constituted his library; and though a limited series, it was one from which he had acquired more sound information by diligent perusal than many a man of opportunities has done from a furlong of laden shelves." Thomas Hardy, Far from the Madding Crowd … [Read more...]