Seeing Things: September 2005 Archives

Whittam's lithe, upbeat dancers look vastly at ease in movement that's both slinky and bubbly, laced with the warmth and trust necessary to its contact improv tactics; Selva's Just Walking looks like it wants to be "about" something--postmodern anomie, the vicissitudes of love, Tuscan traditions--but it never makes clear just what. Village Voice 9/19/05
September 19, 2005 8:33 PM |
The dancers serve as mere mannequins for ravishing, bizarre outfits featuring transparent plastics, floating gauze, crimson in a dozen dramatic guises, and pearly balloons. Village Voice 9/19/05
September 19, 2005 8:19 PM |

My most recent book for children, WISHES FOR YOU, with pictures by the celebrated Danish illustrator Henri Sorensen, has just been issued by HarperCollins Children’s Books in a paperback edition. It makes a wonderful present for very young children--and for their parents, grandparents, and other well-wishers. The book can be ordered, in either hardcover or paperback, via www.amazon.com or www.barnesandnoble.com. And, yes, it is, in a sense, autobiographical.

September 16, 2005 2:07 PM |

Indulgences

Other Words

Sitelines

About this Archive

This page is a archive of recent entries written by Seeing Things in September 2005.

Seeing Things: August 2005 is the previous archive.

Seeing Things: October 2005 is the next archive.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

360° Dance Company at DTW offers two socially relevant revivals, Jane Dudley’s solo “Time Is Money” (1932) and Mary Anthony’s “Devil in Massachusetts” (1952) as well as the World Premier of Artistic Director, Martin Lofsnes' "6-1".

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
lies like truth
Chloe Veltman on how culture will save the world
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
State of the Art
innovations and impediments in not-for-profit arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
The Unanswered Question
Joe Horowitz on music

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Creative Commons License
This weblog is licensed under a Creative Commons License.