Seeing Things: January 2003 Archives

[The hour-long show] features four of American Ballet Theatre's galaxy of fabulous male stars: Jose Manuel Carreño, Angel Corella, Vladimir Malakhov, and Ethan Stiefel. [It] has clearly been designed for popular consumption, urging the viewer to understand these phenomenal athlete-artists as regular guys. (Born to Be Wild) [This] extended duet . . . is rooted in the way- back-then '20s, when pastel sentiments flourished in American culture. (Green and Wright) Village Voice 01/29/03

January 29, 2003 8:56 AM |
[Mark Morris's] work accommodates these as yet unformed aspirants. It forgives the limitations of their skills, makes their awkwardness touching, and reveals their best qualities-seriousness of purpose, charm, vulnerability, desire, radiance. Village Voice 01/20/03
January 20, 2003 9:04 AM |
Both the bios of these dance makers and the solid craft of their pieces contradicted the series' claim to be presenting artists we know best as dancers, trying their choreographic wings-but no matter. We must take pleasure as it comes to us. Village Voice 01/08/03
January 8, 2003 9:09 AM |

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About this Archive

This page is a archive of recent entries written by Seeing Things in January 2003.

Seeing Things: December 2002 is the previous archive.

Seeing Things: February 2003 is the next archive.

Find recent content on the main index or look in the archives to find all content.

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360° Dance Company at DTW offers two socially relevant revivals, Jane Dudley’s solo “Time Is Money” (1932) and Mary Anthony’s “Devil in Massachusetts” (1952) as well as the World Premier of Artistic Director, Martin Lofsnes' "6-1".

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