On Saturday, Michael Brecker succumbed to leukemia brought on by MDS (myelodysplastic syndrome), the bone marrow disorder that put him on the sidelines of music until recently. He was fifty-seven years old. The most admired of the legion of saxophonists that arose in the wake of John Coltrane, Brecker influenced a generation of tenor saxophonists who emulated him to the point of outright imitation. Few, if any, achieved his level of invention and individuality.
Jazz educators teach his harmonic approaches and stylistic innovations the way classical composition teachers use Hindemith or Bartok. For a time, doctors hoped that a bone marrow transplant would save Brecker, but they could not find a suitable donor of his blood type despite a widespread publicity campaign seeking one. An experimental blood stem cell transplant was not effective. Brecker’s record company, Telarc, announced today that he completed a final album two weeks ago. It is to be released on the Heads Up label in the spring.
On Friday, Alice Coltrane died at the age of sixty-nine. The former Alice McLeod left her career as a bebop pianist in vibraharpist Terry Gibbs’ band to marry Coltrane in 1963. She entered the tenor saxophonist’s musical orbit and during the final phase of his life joined his band as he became increasingly experimental and adventuresome. After Coltrane died in 1967 at the age of forty, she raised their children while also pursuing a performing and recording career as a pianist, organist and occasional harpist.
She was noted for music with a spiritual component influenced by her Hindu religion. During 2004 she toured with her son Ravi, like his father a tenor saxophonist. Those were her final performances. A family spokesman said that Mrs. Coltrane died of respiratory failure.