At more or less the last minute, I have decided to attend the conference of the International Association for Jazz Education (IAJE) next week in New York. It is a massive gathering—at least 7-thousand educators, musicians and people from every nook and cranny of jazz as an art and jazz as a business. For three days, the Hilton and Sheraton hotels in midtown Manhattan will be overflowing with concerts, panels, workshops, clinics, lectures, meetings, exhibits, and folks milling around and hanging out. Paul de Barros of The Seattle Times and Down Beat has graciously agreed to let me join the authors on the panel he will moderate.
The panel subject is Jazz Lives In Print. The other biographers in the discussion will be Gary Giddins (Bing Crosby, Louis Armstrong, Charlie Parker), Peter Levinson (Tommy Dorsey, Harry James, Nelson Riddle), Ashley Kahn (Miles Davis, John Coltrane) and Stephanie Stein Crease (Gil Evans). The panel will be at 2:00 pm on Thursday, January 12 at the Sheraton New York. The convention program describes it this way:
The last decade has seen a torrent of new jazz biographies, some comprehensive and thorough, others mere hearsay and hagiography. What makes a good jazz biography? What are readers, fans and musicians looking for in a good bio? Personal anecdotes? Musical analysis? Social Context? A little of all three? Four prominent authors of recent jazz biographies discuss how they did their research and made their decisions about what to include (and not to include).
Make that four prominent authors and me. If you are at IAJE, I hope that you will join us. The folks at Parkside Publications have arranged for me to sign copies of Take Five:The Public and Private Lives of Paul Desmond at the Tower Records booth on the third floor of the New York Hilton at 2:00 pm on Saturday, January 14. I would be happy to see you there.