Our reuniting Marines spent yesterday cruising the Potomac, visiting the Korean War, Viet Nam, World War Two and Franklin Delano Roosevelt monuments, then the Washington Navy Yard for a long lunch. One of our 150 guys failed to make it back to the bus following the monuments tour, causing a good deal of concern. “You know, Barry didn’t look so good,” somebody said. “We’d better check the hospitals.” We did. No Barry. A few hours later, Barry showed up at the Marine Barracks at 8th and I, where we assembled as darkness fell to see the evening parade on the grassy field. He had walked across DC to reunite with the reunion.
There was a breathtaking display of precision execution of the manual of arms by the Marine Corps silent drill team, using M-1 rifles with bayonets. Don’t try it at home. The music was by the Marine Corps Band and the Marine drum and bugle corps. The band’s numbers included “Stars and Stripes Forever,” not just a great march but a great piece of American music, categories aside. They preceded it with a so-so march, perhaps by design, so that when the John Phillips Sousa piece got underway, the contrast was startling. Sousa may have had nothing to do with pre-jazz forms and may later in life have disdained jazz, but jazz isn’t the only kind of music that swings, and Sousa built a kind of swing into that march. The Marine Band gave it a superb performance last night. A diminutive woman stepped out front, played the bejabbers out of the famous piccolo obbligato and got an ovation. It was a terrific evening of music, martial pomp and patriotism, and I was glad to be a part of it. I strongly recommend that if you visit Washington, you arrange to see the evening parade at 8th and I. There is nothing like it.