In yesterday’s New York Times, Ben Ratliff performed the amazing critical leap of predicting that a musical event will be uneventful. Ratliff wrote of a JVC Jazz Festival-New York tribute: “Tomorrow (that’s this evening, 6/15–DR) there is a concert blurrily called ‘Piano Masters Salute Piano Legends,’ with four different pianists playing Duke Ellington, Bill Evans, Herbie Hancock and Thelonious Monk. How boring.†The pianists, for those of you who missed them in Ratliff’s piece because he didn’t bother to name them, are Randy Weston, Uri Caine, Kenny Barron and Geri Allen. I can’t recall being bored by any of them, but Ratliff and I may have different thresholds of boredom.
This raises an interesting critical conundrum for Mr. Ratliff. Does he skip the concert, having decided that it’s not worth hearing? Does he cover it to give it a fair chance? If he covers it and likes it, does he say so in print, thereby letting the air out of his reputation as a seer? In any case, does he continue his new policy of deciding the merits of music yet unheard? Rifftides readers who attend, please let us know by the end of the week about the accuracy of Ratliff’s clairvoyance. Journalism ethicists, I wouldn’t mind hearing from you, too.