Montréal’s Voir magazine features an interview with me in French in advance of the premiere of my electric guitar quartet tomorrow night. It’s by Réjean Beacage, described by local composer/entrepreneur Tim Brady as “the last important new-music critic left standing in Montréal.” I can read French except for the verbs, so the description of me looks accurate, but I can’t tell what he says I’m doing. The photo is more than a decade old. The interview got off to a funnier start than he seemed to expect. He asked me if it was a difficult job being an advocate for new American music, and I replied, “Well, in a way it’s easy, because there’s damn little competition.” Â
I love the French word for composer, compositeur, because when you run it through a translation program it comes out “typesetter,” compositor. I’ve perused many a web bio with statements like, “Guillaume Connesson is typesetter-in-residence for the National Orchestra of the Loire.”