Hey, I got mentioned in the Times, in connection with Mark Morris. I love how the dance critics think the Disklavier is neat and sort of spooky, unlike musicians, who often see it as a problematic performance situation in need of rectification, somehow.
UPDATE: I can tell you why, as a composer, I prefer dance to theater. I’ve written for theater, and gotten always the same question, rehearsal after rehearsal: “Can it be softer?” Mark Morris asked if it could be louder, and I fell in love.