Peer pressure
The
following strategies were presented and voted on during the final Town
Hall meeting of the National Performing Arts Convention. Many strategies were put forward, and we hope they all find champions and serve the field. Those with the
majority of votes will emerge in the national strategies and agendas of
the host service organizations, and will be encouraged as local and
organizational priorities throughout the country. If you have specific
examples, ideas, or ''best practices'' that relate to these top
strategies, please post them in the comments section of this entry.
What should we do about DIVERSITY on a NATIONAL level?
Charge national service organizations to create dialogue at convenings, create training programs, promote diverse art and artists, and partner with grassroots organizations who are already connected to diverse communities - 43%
Diversify boards, management, and staff in all national arts organizations - 26%
Create a media campaign with artists from diverse communities including celebrities to provide exposure to diverse art - 15%
Raise national funds to support internships, reduced price events, and under-represented artists - 9%
Create national forums, listserves, and websites to support sharing of successful diversity efforts - 7%
What should we do about DIVERSITY on a LOCAL level?
Open an honest dialogue across community groups and sectors to share priorities and identify barriers to participation - 31%
Partner within the arts, as well as with community organizations, to build relationships - 23%
Expand beyond traditional venues to establish new points of access - 17%
Create programming to address the experiences of the diverse elements of the community - 11%
Engage community leaders from outside the arts to serve in arts leadership positions - 7%
Use diverse voices, experiences, and traditions to market arts programming - 7%
Organize a recurring local performing arts convention - 4%
What should we do about DIVERSITY on an ORGANIZATIONAL/INDIVIDUAL level?
Discover arts in your community offered by cultures other than your own and establish peer relationships - 37%
Set long term goal and plan to have staff, board, programming, and audiences reflect the demographics of your community - 32%
Program more diverse artists and content - 15%
Create an internship / entry-level staff program that attracts and recruits diverse staff - 6%
Convene diverse ad hoc steering committees (including youth) for specific projects - 6%
Produce at least one large-scale, publicly accessible event per year - 5%
THIS IS NOT THE END OF THE DISCUSSION. What do you think? Do you see strategies that are missing from these lists? What has and has not worked for your organization in the past? Do we need more specific action plans to really change things? Click here to share you ideas and experiences from NPAC and beyond.
The Challenge/Opportunity
The increasing diversity of our communities creates an opportunity to engage a variety of ages, races, identities, and cultures in our audiences and organizations.
What should we do about DIVERSITY on a NATIONAL level?
Charge national service organizations to create dialogue at convenings, create training programs, promote diverse art and artists, and partner with grassroots organizations who are already connected to diverse communities - 43%
Diversify boards, management, and staff in all national arts organizations - 26%
Create a media campaign with artists from diverse communities including celebrities to provide exposure to diverse art - 15%
Raise national funds to support internships, reduced price events, and under-represented artists - 9%
Create national forums, listserves, and websites to support sharing of successful diversity efforts - 7%
What should we do about DIVERSITY on a LOCAL level?
Open an honest dialogue across community groups and sectors to share priorities and identify barriers to participation - 31%
Partner within the arts, as well as with community organizations, to build relationships - 23%
Expand beyond traditional venues to establish new points of access - 17%
Create programming to address the experiences of the diverse elements of the community - 11%
Engage community leaders from outside the arts to serve in arts leadership positions - 7%
Use diverse voices, experiences, and traditions to market arts programming - 7%
Organize a recurring local performing arts convention - 4%
What should we do about DIVERSITY on an ORGANIZATIONAL/INDIVIDUAL level?
Discover arts in your community offered by cultures other than your own and establish peer relationships - 37%
Set long term goal and plan to have staff, board, programming, and audiences reflect the demographics of your community - 32%
Program more diverse artists and content - 15%
Create an internship / entry-level staff program that attracts and recruits diverse staff - 6%
Convene diverse ad hoc steering committees (including youth) for specific projects - 6%
Produce at least one large-scale, publicly accessible event per year - 5%
THIS IS NOT THE END OF THE DISCUSSION. What do you think? Do you see strategies that are missing from these lists? What has and has not worked for your organization in the past? Do we need more specific action plans to really change things? Click here to share you ideas and experiences from NPAC and beyond.
About
About this blog From April 1 through June 9, 2008, weekly entries were posted here by some of the performing arts community's top bloggers. This 10-week intensive series served as a unique forum for digital debate and brainstorming, and both the entries and comments were archived for use at the live NPAC sessions in June. Participants:
Jaime Green - Surplus
Nico Muhly
Kristin Sloan - The Winger
Jason Grote
Jeffrey Kahane
Eva Yaa Asantewaa - InfiniteBody
Greg Sandow
Hilary Hahn
Tim Mangan, Paul Hodgins, Richard Chang - The Arts Blog
Andrew Taylor - The Artful Manager
During the convention, June 10 through June 14, 2008, attendees from across art forms and job functions reported on their conference experiences. Participants:
Amanda Ameer - web manager, NPAC
Sarah Baird - media and public relations executive, Boosey & Hawkes
Joseph Clifford - outreach and education manager, Dartmouth College Hopkins Center for the Arts
Lawrence Edelson - producing artistic director, American Lyric Theater
James Egelhofer - artist manager, IMG Artists
Jaime Green - literary associate, MCC Theatre
James Holt - composer; membership and marketing associate, League of American Orchestras
Michelle Mierz - executive director, LA Contemporary Dance Company
Mark Pemberton - director, Association of British Orchestras
Mister MOJO - star, MOJO & The Bayou Gypsies
Sydney Skybetter - artistic director, Skybetter and Associates
Mark Valdez - national coordinator, The Network of Ensemble Theaters
Amy Vashaw - audience & program development director, Center for the Performing Arts at Penn State
Scott Walters - professor, University of North Carolina at Asheville
Zack Winokur - student, The Juilliard School
Megan Young - artistic services manager, OPERA America
Please note: the views expressed in this blog are those of the independent contributors and participants, not the National Performing Arts Convention or the organizations they represent.
NPAC - the National Performing Arts Convention - took place in Denver, Colorado on June 10-14, 2008. "Taking Action Together," NPAC sought to lay the foundation for future cross-disciplinary collaborations, cooperative programs and effective advocacy. Formed by 30 distinct performing arts service organizations demonstrating a new maturity and uniting as one a sector, the convention was dedicated to enriching national life and strengthening performing arts communities across the country.
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