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June 20, 2007
We the Audience
by Lynne ConnerAs I leave for the airport and my flight to Nashville, I'm still thinking about Alan Brown's smart and thoughtful post from yesterday. Alan's observations from his recent research on engagement square solidly with what we've seen in Pittsburgh after three years of experimental audience-centered programming taking place before, during and after an arts event.
At the risk of being a copycat (imitation, flattery and all that), I'd like to add to Alan's list three additional observations based on early findings from the Pittsburgh experiment.
1. Engagement is not "development." Marketing strategies for "developing" (that is, increasing in numbers) an audience for a given organization may be valuable, but they are not the same as engagement. In traditional audience development strategies the audience member has been objectified and remains objectified throughout the "development" process. True enrichment programs individualize the people who make up the audience.
2. Engagement is not just a word - it's a value. Real engagement occurs in organizations where there is buy-in from the top on down. The boss and the board have to want to hear from the audience as much as the education director does. Audience-centered programming is like walking a tight-rope. If you pretend, you fall.
3. Effective audience-centered practices dismantle the notion of art object and art maker as "enlightener" and replace it with the ideal of art object and art maker as participants in a civic dialogue. This implies a redistribution of power. Some artists and some arts administrators will resist this.
One final thought. In order to create a more perfect union of arts producers and arts audiences for the 21st century, perhaps the best way to begin is by looking a little more closely at our own behavior as audience members. What are our own desires when we plunk down our hard-earned cash on our rare night off? What do we need in the way of interpretive help when we encounter an unfamiliar art form? And what happens to our level of engagement when we don't get that help?
Posted by lconner at June 20, 2007 5:26 AM
COMMENTS
Ms. Connor
Anyone who will "plunk down" their hard-earned cash has likely already done some advance research. How many movies do you watch that you haven't read any reviews of? How many dance performances do you go to where you have no idea what to expect from the choreographer? How many books do you read where you haven't at least read the back cover or the dustjacket?
I once went to a club to see the Norwegian pop singer Annie. A young woman was bouncing on a couch singing along at the top of her lungs to a song from her album Anniemal which hadn't, technically, been released yet. Most people have at least an inkling of what they're getting into, and are far from flying blind.
Posted by: Marc Geelhoed at June 20, 2007 8:30 AM
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Resources
Engaging Art: The Next Great Transformation of America's Cultural Life Chapter downloads MP3s Vanessa Bertozzi on audiences and participation Vanessa Bertozzi on involving artists in work Steven Tepper argues the historical context of arts in America
Abstracts
Chapter 4
In & Out of the Dark - (a theory about audience behavior from Sophocles to spoken word)
Chapter 7
Artistic Expression in the age of Participatory Culture (How and Why Young People Create)
Chapter 8
Music, Mavens & Technology
(all chapters in pdf form)
Steven Tepper talks about technology and the future of cultural choice
Lynne Conner on the historical relationship between artist and audience
Lynne Conner on event and meaning and sports
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Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
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Rebuilding Gulf Culture after Katrina
Douglas McLennan's blog
Art from the American Outback
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Jan Herman - arts, media & culture with 'tude
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Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
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Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
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Greg Sandow performs a book-in-progress
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Exploring Orchestras w/ Henry Fogel
Kyle Gann on music after the fact
Doug Ramsey on Jazz and other matters...
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
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Jerome Weeks on Books
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Public Art, Public Space
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog
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