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June 19, 2007
Engaging Bloggers
by Douglas McLennanTo Alan: I love your idea of test-tube orchestras removed from the rat race of simply having to survive. People (and institutions) make very different decisions when they are financially secure, and success begets success (a point I think our friend William Osborne has tried to make with his admonishments about the role of funding the arts). As to your question:
At the core, this is a conversation about change. The first and essential precondition for change is the belief that things cannot stay the same. Are we there yet?
I would say yes. I think four years ago most didn't believe things were changing. I think two years ago everyone was pre-occupied with doom and gloom in the realization that the usual things weren't working. In the last year though, I think conversations across the arts have turned more positive - enough with the bad stories already, we get it. And we're starting to see some attempts at change.
To Molly: Sorry - I didn't mean to be dismissive when I wrote that you were amused. I meant it, actually, as a compliment. The changes that many of us seem to be having difficulty getting our minds around seem self-evident to you , as illustrated in your earlier posts, and I appreciate your almost nonchalant anticipation of what comes next.
To Laura: Thanks for answering my question so eloquently:
I guess my point is that, from my own experience, the performing arts reach their very best potential when they are received at the moment they are being generated. It is precisely your butt in your seat that makes my hands tremble and my breath quicken and inspires me to pull out all the stops in order to share with you this piece of music that has changed my life in some way and that might change yours.
Posted by mclennan at June 19, 2007 7:07 AM
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Resources
Engaging Art: The Next Great Transformation of America's Cultural Life Chapter downloads MP3s Vanessa Bertozzi on audiences and participation Vanessa Bertozzi on involving artists in work Steven Tepper argues the historical context of arts in America
Abstracts
Chapter 4
In & Out of the Dark - (a theory about audience behavior from Sophocles to spoken word)
Chapter 7
Artistic Expression in the age of Participatory Culture (How and Why Young People Create)
Chapter 8
Music, Mavens & Technology
(all chapters in pdf form)
Steven Tepper talks about technology and the future of cultural choice
Lynne Conner on the historical relationship between artist and audience
Lynne Conner on event and meaning and sports
AJ Blogs
AJBlogCentral | rss
culture
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Rebuilding Gulf Culture after Katrina
Douglas McLennan's blog
Art from the American Outback
Scott McLemee on books, ideas & trash-culture ephemera
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
music
Greg Sandow performs a book-in-progress
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Exploring Orchestras w/ Henry Fogel
Kyle Gann on music after the fact
Doug Ramsey on Jazz and other matters...
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
publishing
Jerome Weeks on Books
visual
Public Art, Public Space
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog
Special AJ Blogs
June 14-20, 2007