Jazz beyond Jazz: June 2011 Archives
Jazz and its evolution goes on everywhere - as bass guitarist/bandleader/composer/producer Yacoub Abu Ghosh explained and demonstrated to me in Amman, Jordan last March. Ghosh and his Stage Heroes performed at their weekly gig at Canvas Cafe Restaurant Art Lounge. His new album As Blue As The Rivers of Amman is due to drop July 2.
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Continue reading Jazz in Jordan: Yacoub Abu Ghosh explains and plays.
The American Composers Orchestra gave eight jazz-oriented composers a year to work up five minute pieces and composer-mentors to help, then staged readings conducted by George Manahan during one of the busiest weeks of the jazz summer. Read about it in my latest CityArts column.
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Harris Eisenstadt, drummer and composer, and his score for "Palimpset" - photo courtesy of ACO. Columbia University's Center for Jazz Studies partnered on this project.
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The National Endowment for the Arts's final designated Jazz Masters are all worthy: drummer Jack DeJohnette, saxophonist Von Freeman, bassist Charlie Haden, singer Sheila Jordan and trumpeter-educator-organizer-gadfly Jimmy Owens have had long and profoundly influential if not broadly celebrated or financially rewarded creative careers. So much the worse that this 30 year program highlighting genuine American artistic heroes has been zeroed out in the 2012 budget, to be replaced by proposed "American Artist of the Years Awards" that will toss jazz musicians into a mix including every kind of artist working in the performing arts (defined as dance, music, opera, musical theater and theater), with a de-emphasis on long-demonstrated artistry (I've blogged about this in detail previously).
The Jazz Masters announcement was made in conjunction with announcements of new NEA National Heritage Fellowships and NEA Opera Honors recipients; both those programs have also been eliminated in the NEA's 2012 budget.
Continue reading New NEA Jazz Masters: A classy last class.