Trumpeter Herb Alpert’s foundation kicks in $500,000 to sustain a failing Harlem arts school — more philanthropy from the Tijuana Brassman hailed by Jazz Journalists Association last year for his great good works. Why aren’t there more like Herb?
Alpert, named in 2009 to the JJA’s “A Team” of activists, advocates, altruists, aiders and abettors of jazz, created one of the most successful instrumental pop sounds in recording history in the early ’60s with his mariachi-inspired and rhythmically driven versions of songs including “A Taste of Honey,” “What Now My Love” and Nat Adderley’s “Work Song.” If the arrangements are, to jazz-sophisticates, corny and non-improvisational, they are undeniably catchy and earned a fortune which he applied to A&M Records (responsible for the very fine Horizons series, including albums by Don Cherry, Charlie Haden, Jim Hall, etc.) as well as the production of the plays Angels in America and Ma Rainey’s Black Bottom.
howardmandel.com
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