Mind the Gap: December 2008 Archives
[via Trevor]
Just when you think music criticism will never offer the kind of professional drama the doctor's of Grey's Anatomy enjoy, we have a development.
Now who will play Don in the mini-series?
Elsewhere, why hire a music critic of your very own when you can share?
To the journalists in the room quaking in their Chucks, don't faint. We may yet profitably move this show to the internet.
Elliott Carter got a birthday shout-out on the local news last night. It's also rumored that there will be some Willard Scott attention tomorrow morning on Today.
UPDATE: The Willard Scott segment has been postponed till "early next week." We'll keep you informed.
Delivered without the nuance of the nation's great editorialists, perhaps, but much less annoying than CNN's Headline News, no? To be fair, school kids, not ADD office workers wasting time on the internet, are the intended audience for these two-minute music video newscasts.
From The Week in Rap.
Any suggestions hit ya?
So, a few posts back I turned up the volume on an internal debate I was having between "intellectual" and "real world" creation. I got off on a rant because I was anxious about spending so much quality time with just my computer, and I was looking to get a little physical.
Since then, I have spun right round like a record. Obama may be on course for a smooth transition, but I am feeling a little lost while locking in on future goals.
This may be a bit of a red herring, but a major tripping point in my thought process has come down to the fact that I am a woman.**
It wasn't until I turned 30, got married, and moved out of New York City that I confronted sexism head on (though thankfully, in my case, the overall dent has been minor). But even though I bring home an equal paycheck and can use my own power tools just fine, thank you very much, I admittedly feel held to and actually enjoy some traditional stereotypes: I like to cook and make things that people use--and use up. It's a matriarchal work tradition, and I march in that parade with joy in my heart and conflict in my head. A lovely meal is, after all, eaten, and while it may not be forgotten, it won't enter the canon of great art no matter how carefully I blog about it. And maybe that's just fine. It sure does add to the quality of life and the household's Gross National Happiness quotient. But then I retire with my after dinner drink to the living room, surrounded by our collection of great literature, and wonder if I'm apportioning my energies well. While I'm baking my own bread, I'm not pitching a new article to an editor. Looking further down the road, that's not even starting on what adding children to this mix will mean.
Women have been confronting these questions for decades and finding a balance point for themselves one way or another. In the 21st century, there are probably quite a few men having similar debates. But it seems to me that the creative sector, especially in the Internet age, braids the line between home life and professional productivity in ways other professions don't, and I'm surprised by how few models I have to look to as I make these decisions for myself. How are you working your creative mojo to make art, a happy family, and a satisfied self a reality? What helped you find your balance point?
** Related: Encouragingly, people are having more success making a real living off of their creative pursuits, but women artists are statistically paid less for their work than men.
In an age when holograms beam in to report for CNN and I attend staff meetings via Skype, I guess it's not so crazy that you can audition for a seat in a symphony orchestra without leaving your basement. Sure, you could MapQuest your way to Carnegie Hall, but why bother now that you can just upload your audition via YouTube and Tan Dun, MTT and Co. will listen at their leisure? Bonus: On-demand audition review mean no one risks missing the finale of Heroes or anything. Ah, the 21st century is a magical place.
It's not cutting edge technology at work here, but of course that's the point. So when you bring participation in that cultural beast we know and love as the Symphony and offer it to the People, what happens? I'll be watching the comments on this one.
UPDATE: The Detroit Symphony is also getting its geek on in order to connect with patrons from "the generation that has figured out how to use that Internet browser thingie on its cell phones. "
Blogroll
AJ Ads
AJ Blogs
AJBlogCentral | rssculture
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
jazz
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
classical music
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
publishing
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
visual
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog