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Foot in Mouth

Apollinaire Scherr talks about dance

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Archives for February 2010

Saturday February 27

February 27, 2010 by Apollinaire Scherr Leave a Comment

Season of the Modern Dance: Morris et. al.   … [Read more...]

Modern-dance heavies

February 27, 2010 by Apollinaire Scherr Leave a Comment

Mark Morris, Paul Taylor and--less heavy--Lar Lubovitch all have seasons this week and next. And I have reviews of them. I'll keep adding at the top as the week progresses, so the latest on top. Friday night (first program) of Lar Lubovitch was one of those times where I felt keenly grateful for the dancers--or, in this case, one dancer, Reid Bartelme--for improving on the material they'd been … [Read more...]

Wednesday, February 17:

February 17, 2010 by Apollinaire Scherr Leave a Comment

Links galore: how to find dance reviews by Foot contributors and everyone else. … [Read more...]

Highlights of the past week: Rocio Molina, new kind of flamenco diva, as well as NYCB’s glorious return to Balanchine and glassy imitation of Robbins gems (updated Sunday night, 2/21)

February 17, 2010 by Apollinaire Scherr Leave a Comment

Posts here in the next six weeks are going to be pretty barebones: links to stuff Foot contributor Paul Parish and I have written elsewhere, sans photos or anything, for now. (I may gussy them up later.) But in case you just want to head direct to go, the Financial Times allows you about an article a day, which is certainly enough for the dance offerings (by me and the glorious Clement Crisp). … [Read more...]

Valentine’s Day:

February 15, 2010 by Apollinaire Scherr Leave a Comment

Love, ballet style.  … [Read more...]

Happy Valentine’s Day, ballet style

February 14, 2010 by Apollinaire Scherr Leave a Comment

(*Corrections to paragraph begun with *below. plus added bit of Denby poem at the end) You'd think ballet would be good at expressing the exhilaration of love, and it is, but only if it can cap it off with betrayal, tragedy, death! Consider Swan Lake, Romeo and Juliet, La Sylphide, Giselle, Scheherazade, La Bayadere--not to mention the moderns, Balanchine and Tudor in particular. (Ashton is more … [Read more...]

Apollinaire Scherr

is the New York-based dance critic for the Financial Times. She has written regularly for The New Yorker, The New York Times, and Newsday, as well as SF Weekly and the East Bay Express, in the Bay Area. She has contributed to... Read More…

Foot in Mouth

This blog's concern is the tricky business of recognizing dance's peculiar language and history … [Read More...]

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